The boundaries between science and art are crumbling. In this breakthrough study of art and science as intertwined domains, a collection of internationally renowned contributors analyze both scientific and aesthetic representations to get beyond "the science wars". 70 illustrations.
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The boundaries between science and art are crumbling. In this breakthrough study of art and science as intertwined domains, a collection of internationally renowned contributors analyze both scientific and aesthetic representations to get beyond "the science wars". 70 illustrations.
Read Less
Add this copy of Picturing Science, Producing Art to cart. $11.58, very good condition, Sold by tttkelly1 rated 4.0 out of 5 stars, ships from Missouri City, TX, UNITED STATES, published 1998 by Routledge.
Add this copy of Picturing Science, Producing Art to cart. $12.31, very good condition, Sold by Your Online Bookstore rated 5.0 out of 5 stars, ships from Houston, TX, UNITED STATES, published 1998 by Routledge.
Add this copy of Picturing Science, Producing Art to cart. $23.99, very good condition, Sold by Half Price Books Inc rated 4.0 out of 5 stars, ships from Dallas, TX, UNITED STATES, published 1998 by Routledge.
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Seller's Description:
Very good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Add this copy of Picturing Science, Producing Art to cart. $32.00, very good condition, Sold by Common Crow Books rated 5.0 out of 5 stars, ships from Pittsburgh, PA, UNITED STATES, published 1998 by Routledge.
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Very good+ Printed paper wraps, octavo, illustrated in b&w. Book has mild shelfwear to wraps, binding tight, text clean bright and unmarked, but last few pages have small dog ears to top corners.
Add this copy of Picturing Science, Producing Art to cart. $43.67, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Santa Clarita, CA, UNITED STATES, published 1998 by Routledge.
Add this copy of Picturing Science, Producing Art to cart. $49.00, very good condition, Sold by Moe's Books rated 4.0 out of 5 stars, ships from Berkeley, CA, UNITED STATES, published 1998 by Routledge.
Add this copy of Picturing Science, Producing Art to cart. $52.50, good condition, Sold by Mullen Books, Inc. ABAA / ILAB rated 4.0 out of 5 stars, ships from Marietta, PA, UNITED STATES, published 1998 by Routledge.
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Good+ (Ex-library with stamps and labels on spine, inside front and rear covers, ffep. Light shelfwear to wraps and block. Binding is tight and pages are otherwise clear. ) Silver wraps, black illustration and lettering; x, 518 pp; bw illustrations. The internationally renowned contributors go beyond both science wars and culture wars by exploring substantive links between systems of visual representation and knowledge in science and art. Contributors include Svetlana Alpers, Jonathan Crary, Arnold Davidson, Carlo Ginzburg, Donna Haraway, Bruno Latour, and Simon Schaffer. Contents: Style as inclusion, style as exclusion / Carlo Ginzburg--The affective properties of styles: an inquiry into analytical process and the inscription of meaning in art history / Irene J. Winter--Style/type/standard: the production of technological resemblance / Amy Slaton--Miracles of bodily transformation, or, how St. Francis received the stigmata / Arnold Davidson--Lost knowledge, bodies of ignorance, and the poverty of taxonomy as illustrated by the curious fate of Flos pavonis, an abortifacient / Londa Schiebinger--The sex of the machine: mechanomorphic art, new women, and Francis Picabia's neurasthenic cure / Caroline A. Jones--Deanimations: maps and portraits of life itself / Donna Haraway--Vision and cognition / Krzysztof Pomian--Nature by design / Lorraine Daston--Impressed images: reproducing wonders / Katharine Park--Iconography between the history of art and the history of science: art, science, and the case of the urban bee / David Freedberg--Hieronymus Bosch's world picture / Joseph Leo Koerner--Judgement against objectivity / Peter Galison--Eclectic subjectivity and the impossibility of female beauty / Jan Goldstein--Visualization and visibility / Joel Snyder--The studio, the laboratory, and the vexations of art / Svetlana Alpers--How to be iconophilic in art, science, and religion? / Bruno Latour--On astronomical drawing / Simon Schaffer--Attention and modernity in the nineteenth century / Jonathan Crary.
