Ever since the early 1970s, sculptor Charles Ray's protean practice has yielded some of the most memorable objects and experiences in contemporary art, causing us to confront, as Peter Schjeldahl has written, "elegant, deadpan fabrications that flip wild switches in our minds." In 1987's "Ink Line," for example, he sent a single stream of ink flowing to the middle of a gallery's floor in a slender column; outside the 1993 Whitney Biennial he parked a massive replica of a toy fire engine. His recent work is just as alluring ...

Charles Ray 2010, Matthew Marks Gallery

ISBN-13: 9781880146477

Trade paperback

Charles Ray 1998, Museum of Contemporary Art, San Diego, Los Angeles, CA

ISBN-13: 9780914357599