St???phane MALLARM??? (1842-1898), est consid???r??? un des fondateurs de la po???sie moderne europ???enne et une des figures les plus ???tudi???es du structuralisme. La beaut??? herm???tique de ses derniers vers ont fait de lui l???objet d???un v???ritable culte. Deux de ses plus longues oeuvres, H???rodiade (1864) et Pr???lude ??? l???apr???s-midi d???un faune (1865) c???l???brent les vertus cach???es de l???ajournement et l???absence contre la vulgarit??? de la possession et la pl???nitude. Sa poursuite de la perfection ...
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St???phane MALLARM??? (1842-1898), est consid???r??? un des fondateurs de la po???sie moderne europ???enne et une des figures les plus ???tudi???es du structuralisme. La beaut??? herm???tique de ses derniers vers ont fait de lui l???objet d???un v???ritable culte. Deux de ses plus longues oeuvres, H???rodiade (1864) et Pr???lude ??? l???apr???s-midi d???un faune (1865) c???l???brent les vertus cach???es de l???ajournement et l???absence contre la vulgarit??? de la possession et la pl???nitude. Sa poursuite de la perfection r???alisable seulement ??? travers la renonciation exige un nouvel effort de langage, les sonnets et ???l???gies contenus en Po???sies (1887) et Vers et Prose (1893) atteignent une v???ritable science de la suggestion ??? travers l???exploitation des ambigu???t???s syntactiques et m???taphoriques et des propri???t???s formelles des vers. Ces tendances culminent en Un coup de d???s jamais n???abolira le hasard (1897), un po???me qui exploite les possibilit???s r???volutionnaires des ressources typographiques afin de sugg???rer une dimension musicale qu???il nomme les subdivisions prismatiques de l???id???e .
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