Osvaldo Golijov: Oceana (2007)

The three pieces by Osvaldo Golijov recorded here offer more evidence that his is one of the freest and most compelling voices on the scene. Although ... Show synopsis The three pieces by Osvaldo Golijov recorded here offer more evidence that his is one of the freest and most compelling voices on the scene. Although he came to the attention of the broader public in 2000 with the bold stylistic juxtapositions of La Pasión según San Marco, Oceana, written in 1996, incorporates a comparable diversity of elements. Perhaps even more than La Pasión, Oceana mingles its various idioms into an integrated aesthetic vision. What stands out is Golijov's fearless rejection of the orthodoxies of modernism, postmodernism, minimalism, and every other -ism that limits the definition of an acceptable aesthetic. Oceana is a large-scale cantata for which the unique sound of Brazilian singer Luciana Souza provided inspiration, and her voice is a unifying thread that runs through it. It's evocative of oceanic vastness without being imitative, and its moments of grand emotion are passionate, even spiritual; the fact that the ecstatic choral exclamations, "Oceana!" are easily mistaken for... Hide synopsis