Handel: Arias (1997)
Bryn Terfel's 1997 recital includes arias and recitatives from Handel's oratorios, operas, and sacred music that span much of the composer's mature ... Show synopsis Bryn Terfel's 1997 recital includes arias and recitatives from Handel's oratorios, operas, and sacred music that span much of the composer's mature career, from Acis and Galatea to Judas Maccabeus. Terfel's full and resonant voice is especially welcome in this repertoire, which is frequently assigned to a lighter voice; the deep notes that anchor "Behold a ghostly band," from Alexander's Feast, and "O ruddier than the cherry," from Acis and Galatea, are satisfyingly secure and solid. Terfel also has the lightness and agility to nimbly negotiate the coloratura that the former requires. The same is true in the selections from Messiah, where his ringing bass-baritone is especially stirring and his flexibility really shines, particularly in "But who may abide the day of his coming." The album also includes several transposed arias, including "Where'er you walk," from Semele, and solos from Giulio Cesare, Berenice and Alcina, originally written in the alto range for castrato. Generally, it would be hard to...
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