Very Good hardcover in Very Good+ dustjacket. Stated First Edition with full number line. Light shelfwear to dustjacket includes bumping to fore-edge corners. Dustjacket protected by MYLAR. Shelfwear to boards 0includes heavy rubbing to edges/corners, especially head and foot of spine. Pages and text are clean and bright. Overall, an attractive copy. 180 pp.
Tokyo. 2003. Kodansha. 1st American Edition. Very Good In Dustjacket. 182 pages. hardcover. Ryu Murakami, musician, filmmaker, TV talk show host, and novelist, is the author of ALMOST TRANSPARENT BLUE, 69, and COIN LOCKER BABIES, which the Washington Post praised as ‘a knockout. a great big pulsating parable.'. Ralph McCarthy is the translator of Murakami's 69 and two collections of stories by Osamu Dazai. Photo of face, upper half of jacket by Yamanaka/Amana Images. 4770029578. keywords: 41715. inventory # 16088. FROM THE PUBLISHER-‘It looked as though Maki had another mouth below her jaw. Oozing from this second, smiling mouth was a thick, dark liquid, like coal tar. Her throat had been slit literally from ear to ear and more than halfway through, so that it looked as if her head might fall right off. And yet, incredibly, Maki was still on her feet and still alive, her eyeballs swiveling wildly and her lips quivering as she wheezed foam-flecked blood from the wound in her throat. She seemed to be trying to say something. ' It is just before New Year's. Frank, an overweight American tourist, has hired Kenji to take him on a guided tour of Tokyo's sleazy nightlife on three successive evenings. But Frank's behavior is so strange that Kenji begins to entertain a horrible suspicion: that his new client is in fact the serial killer currently terrorizing the city. It isn't until the second night, however, in a scene that will shock you and make you laugh and make you hate yourself for laughing, that Kenji learns exactly how much he has to fear and how irrevocably his encounter with this great white whale of an American will change his life. Kenji's intimate knowledge of Tokyo's sex industry, his thoughtful observations and wisecracks about the emptiness and hypocrisy of contemporary Japan, and his insights into the shockingly widespread phenomena of ‘compensated dating' and ‘selling it' among Japanese schoolgirls, give us plenty to think about on every page. Kenji is our likable, if far from innocent, guide to the inferno of violence and evil into which he unwillingly descends-and from which only Jun, his sixteen-year-old girlfriend, can possibly save him..
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