Near Fine in near fine jacket. First edition, 1993. Cloth hardcover in dust jacket, 470 pp., clean unmarked text, Near Fine copy in Near Fine dust jacket. Dust jacket housed in archival dust jacket protector.
Fine in Near Fine dust jacket. 0691069387. Very light shelfwear to DJ else fine.; 1.25 x 9.75 x 6.75 Inches; 492 pages; In this masterly interpretation of narrative sequence in the Iliad, Keith Stanley not only sharpens the current debate over the date and creation of the poem, but also challenges the view of this work as primarily a celebration of heroic force. He begins by studying the intricate ring-composition in the verses describing Achilles' shield, then extends this analysis to reveal the Iliad as an elaborate and self-conscious formal whole. In so doing he defends the hypothesis that the poem as we know it is a massive reorganization and expansion of earlier "Homeric" material, written in response to the need for a stable text for repeated performance at the sixth-century Athenian festival for the city's patron goddess. Stanley explores the arrangement of the poem's books, all unified by theme and structure, showing how this allowed for artistically satisfying and practically feasible recitation over a period of three or four days. Taking structural emphasis as a guide to poetic discourse, the author argues that the Iliad is not a poem of "might"--as opposed to the Odyssean celebration of "guile"--but that in advocating social and personal reconciliation the poem offers a profound indictment of a warring heroic society.
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