Venice and Drawing 1500-1800: Theory, Practice and Collecting

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An impressive overview of drawing in Venice, from the time of Titian and Tintoretto to that of Canaletto and Tiepolo From the time of Titian and Tintoretto to that of Canaletto and Tiepolo, drawing was an important part of artistic practice and was highly valued in Venice. This exciting new study overturns traditional views on the significance of drawing in Venice, as an art and an act, from the Renaissance to the age of the Grand Tour. Gathering together the separate strands of theory, artistic practice, and collecting, ...

Venice and Drawing 1500-1800: Theory, Practice and Collecting 2017, Yale University Press

ISBN-13: 9780300187731

Hardcover

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