On his debut album, Tower of Love, Jim Noir proves himself to be a first-class mix-and-match master, blending the cheesy drum machines and bubbling synths of indie electronic, the lo-fi guitars and adult-child vocals of indie pop, and the full-bodied and harmony-drenched arrangements of chamber pop into a swirling, soothing, and truly lovely Technicolor pop confection. Noir also proves himself to be an able student of great outsider pop of the '60s, '70s, and 2000s. There are echoes of British eccentrics like XTC, Kevin ...