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The Great EMI Recordings - Ambrose Gauntlett (viola da gamba); André Previn (piano); Bernadette Greevy (contralto); Cecil Aronowitz (viola);...
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  1. Lamento d'Arianna, for voice & continuo ("Lasciatemi morire"), SV 22: Lasciatemi morire
  2. L'incoronazione di Poppea, opera in 3 acts, SV 308: Act 1. Disprezzata Regina (Ottavia's Lament)
  3. L'incoronazione di Poppea, opera in 3 acts, SV 308: Act 3 Addio Roma (Ottavia's Farewell)
  4. Oh di Betlemme altera povertà, chamber cantata for soprano & strings ("Cantata pastorale per la natività di Nostre Signore"): Oh di Betlemme altera povertà
  5. Salve Regina, motet for soprano, strings & continuo in A major
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  1. Lamento d'Arianna, for voice & continuo ("Lasciatemi morire"), SV 22: Lasciatemi morire
  2. L'incoronazione di Poppea, opera in 3 acts, SV 308: Act 1. Disprezzata Regina (Ottavia's Lament)
  3. L'incoronazione di Poppea, opera in 3 acts, SV 308: Act 3 Addio Roma (Ottavia's Farewell)
  4. Oh di Betlemme altera povertà, chamber cantata for soprano & strings ("Cantata pastorale per la natività di Nostre Signore"): Oh di Betlemme altera povertà
  5. Salve Regina, motet for soprano, strings & continuo in A major
  6. Der Herr schauet vom Himmel, for soprano, bass & continuo, SWV 292 (Op. 8/11)
  7. Verbum caro factum est, for 2 sopranos & continuo, SWV 314 (Op. 9/9)
  8. Christe, der du bist Tag und Licht, cantata for 2 voices & continuo (Opella nova, Part 1, No. 4)
  9. Gott, der Vater, wohn uns bei, cantata for 2 voices & continuo (Opella nova, Part 1, No. 10)
  10. Tua Jesu dilectio, for voices & continuo
  11. Come away come sweet love, for 4 voices & lute (First Book of Songs)
  12. Never Love Unlesse You Can for voice, lute & bass viol
  13. Oft Have I Sigh'd for Him That Heares Me Not for voice, lute & bass viol (Thrid Book of Ayres)
  14. If Thou Long'st So Much to Learn for voice, lute & bass viol
  15. Faine Would I Wed a Faire Yong Man for voice, lute & bass viol
  16. Sleep, Adam, sacred song for soprano & continuo, Z. 195
  17. Lord, what is man?, sacred song for soprano & continuo, Z. 192
  18. My Goddess Celia, song for voice & continuo
  19. Tell me, lovely shepherd
  20. Where the Bee sucks, there lurk I, song
  21. A Dialogue on a Kiss
  22. A Dialogue between Charon and Philomel
  23. A Dialogue between Daphne and Strephon
  24. Giu nei Tartarei regni, duet for soprano & bass, HWV 187
  25. Quando in calma ride il mare, duet for soprano & bass, HWV 191
  26. Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: Sound the Trumpet
  27. Pausanias, the Betrayer of his Country, incidental music, Z. 585: My dearest, my fairest
  28. The Maid's Last Prayer, or, Any Rather than Fail, incidental music, Z. 601: No, resistence is but vain
  29. King Arthur, or, The British Worthy, semi-opera, Z. 628: Shepherd, leave decoying
  30. Abschiedslied der Zugvögel ("Wie war so schön doch"), song for 2 voices & piano, Op. 63/2
  31. Wie kann ich froh und lustig sein?, folk song for 2 voices & piano (Folksong No.1)
  32. Herbstlied ("Ach wie so bald"), song for 2 voices & piano, Op. 63/4
  33. Suleika und Hatem ("An des lust'gen Brunnens"), song for soprano, tenor & piano (published as Felix Mendelssohn, Op. 8/12) (H. 149)
  34. Heimatgedenken, for 2 voices & piano, Op. 16/1
  35. Verratene Liebe, for 2 voices & piano
  36. Ich und Du for 2 voices & piano
  37. Der beste Liebesbrief, for 2 voices & piano, Op. 6/2
  38. Cantata No. 82, "Ich habe genug," BWV 82 (BC A169)
  39. Cantata No. 169, "Gott soll allein mein Herze haben," BWV 169 (BC A143)
  40. Cantata No. 148, "Bringet dem Herrn Ehre seines Namens," BWV 148 (BC A140): Mund und herze steht dir offen
  41. Cantata No. 79, "Gott der Herr ist Sonn und Schild," BWV 79 (BC A184): Gott ist under Sonn' und Schild!
  42. Cantata No. 147, "Herz und Mund und Tat und Leben," BWV 147 (BC A174): Schäme dich, o Seele, nicht
  43. Cantata No. 161, "Komm, du süsse Todesstunde," BWV 161 (BC A135): Komm, du süsse Todesstunde
  44. Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14): Et exultavit
  45. Cantata No. 190, "Singet dem Herrn ein neues Lied," BWV 190 (BC A21): Lobe, Zion, deinen Gott
  46. St. John Passion (Johannespassion), BWV 245 (BC D2): Es ist vollbracht
  47. Bist du bei mir, for voice & continuo
  48. Cantata No. 6, "Bleib bei uns, denn es will Abend werden," BWV 6 (BC A57): Hochgelobter Gottesohn
  49. Cantata No. 129, "Gelobet sei der Herr," BWV 129 (BC A93): Gelobet sie der Herr
  50. Easter Oratorio (Oster-Oratorium: "Kommt, eilet und laufet"), BWV 249 (BC D8): Saget, saget mir geschwinde
  51. Weihnachtsoratorium (Christmas Oratorio), in six parts, BWV 248 (BC D7): Bereite dich, Zion
  52. Himmelfahrts-Oratorium (Ascension Oratorio: "Lobet Gott in seinen Reichen"), for s
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Under the auspices of Warner Classics, the Great EMI Recordings of mezzo-soprano Janet Baker are presented on 20 CDs, which cover her extensive repertoire from Baroque to modern music. Baker came to international prominence in the 1960s, and she endeared herself to listeners with her warm tone, clear diction, and versatility in a variety of vocal works, which included music by Monteverdi, Scarlatti, Schubert, Mahler, and Britten. Many of these performances have been reissued, but roughly a quarter of the set offers ...

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The Great EMI Recordings 2013, Warner Classics

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The Great EMI Recordings 2013, Warner Classics

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The Great EMI Recordings 2013, Warner Classics

UPC: 825646377770

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