Goethe once remarked that -every emancipation of the spirit is pernicious unless there is a corresponding growth of control.- This remark may be taken as a motto for Eugene Goodheart's study of an aspect of the cultural history of the past two hundred years. In separate chapters on Rousseau, Stendhal, Goethe and Carlyle, Dostoevsky, Whitman, Lawrence, and Joyce, Goodheart discovers a community of concern which he calls the cult of the ego. All these writers examined here in one way or another deal with -the emancipation of ...
Goethe once remarked that -every emancipation of the spirit is pernicious unless there is a corresponding growth of control.- This remark may be taken as a motto for Eugene Goodheart's study of an aspect of the cultural history of the past two hundred years. In separate chapters on Rousseau, Stendhal, Goethe and Carlyle, Dostoevsky, Whitman, Lawrence, and Joyce, Goodheart discovers a community of concern which he calls the cult of the ego. All these writers examined here in one way or another deal with -the emancipation of the spirit- with all its promise and danger. The characteristic attempt is to -extend the boundaries of the self by going beyond the area of safety- and. thereby risking even the destruction of the self. They advance the claims of the self at the same time seeking the controls that will secure these claims. The artist-hero becomes the central figure in Goodheart's volume, since it is he who comes to exemplify the possibilities of the cult of the ego. Their efforts, Goodheart argues, have ambiguous results. The seeds of contemporary nihilism are in the failures of these writers to master the chaos of egoism, which they helped engender. But their heroism was partly in the effort of resistance: moral, religious, aesthetic. In a large portion of modern literature, resistance has been abandoned either out of exhaustion or out of fascination with the destructive tendency of modern life: in Beckett's phrase, -a world endlessly collapsing.- In his introduction to this first paperback edition, Goodheart discusses the book's origin in relation to the counter-cultural unrest of 1968 when it was first published and weighs its theme of the emancipated self against current postmodern assertions of the -death of the author.- The Cult of the Ego is written with admirable clarity and economy. Its interests are literary, moral and political. Moving freely and knowledgeably among various national literatures, Goodheart has made an original and valuable contribution to the field of comparative literature. Eugene Goodheart is Edytha Macy Gross Professor of Humanities Emeritus at Brandeis University. Among his books are Novel Practices: Classic Modern Fiction , Modernism and the Critical Spirit , Culture and the Radical Conscience , and Confessions of a Secular Jew: A Memoir , all available from Transaction.
Very Good in Very Good jacket. 8vo-over 7¾"-9¾" tall 1968, Hardcover with white dustjacket. Mild wear to nice, clean white dustjacket with red and black titles. Spine faded enough that only the red is faded. No tears or creases in dustjacket except corner of inside flap folded to hide price. Plastic sleeve on dustjacket. Name on endpaper otherwise clean, unmarked. Literary criticism.
Like New. Dust Jacket Included. GOODHEART, EUGENE. The Cult of the Ego: The Self in Modern Literature. The University of Chicago Press, (1968). 225 pp., hdcvr, name on endppr., o/w fine in v.g. d.j.10.00.
Fine in Very Good jacket. First edition. Fine in very good plus dustwrapper. Dustwrapper is rubbed, has some black marks, and worn around edges &spine. Please Note: This book has been transferred to Between the Covers from another database and might not be described to our usual standards. Please inquire for more detailed condition information.
Alibris, the Alibris logo, and Alibris.com are registered trademarks of Alibris, Inc.
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited, Baker & Taylor, Inc., or by their respective licensors, or by the publishers, or by their respective licensors. For personal use only. All rights reserved. All rights in images of books or other publications are reserved by the original copyright holders.