Synchronization and Title Sequences: Audio-Visual Semiosis in Motion Graphics

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Synchronization and Title Sequences proposes a semiotic analysis of the synchronization of image and sound in motion pictures using title sequences. Through detailed historical close readings of title designs that use either voice-over, an instrumental opening, or title song to organize their visuals--from Vertigo (1958) to The Player (1990) and X-Men: First Class (2011)--author Michael Betancourt develops a foundational framework for the critique and discussion of motion graphics' use of synchronization and sound, ...

Synchronization and Title Sequences: Audio-Visual Semiosis in Motion Graphics 2017, Routledge

ISBN-13: 9781138085060

Hardcover

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