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Penderecki: Credo - Aga Mikolaj (soprano); Ewa Wolak (alto); Iwona Hossa (soprano); Rafal Bartminski (tenor); Remigiusz Lukomski (bass);...
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  1. Credo, for soloists, boys' choir, chorus & orchestra
  2. Cantata in honorem Almae Matris Universitatis Iagellonicae, for chorus & orchestra
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Religious music has been a significant part of Penderecki's output from early in his career, and his St. Luke Passion of 1966 was a key work in establishing his international reputation as an iconoclast with an original and arresting musical vision. Since turning his back on the avant-garde in the 1970s he has devoted even more energy to religious music, creating a number of large pieces, some of which are among his most significant works in his mature post-Romantic style. Penderecki's essential perspective -- earnest, ...