Orlando di Lasso: Magnificat - Die Singphoniker
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  1. Da le belle contrade d'oriente, madrigal
  2. Dalle belle contrade (sexti toni), magnificat for 5 voices, H. xvi/120
  3. O s'io potessi donna dir quel che nel mirar (I), madrigal for 4 voices
  4. O s'io potessi (secundi toni), magnificat for 4 voices, H. xv/3
  5. Praeter rerum seriem, motet for 6 parts
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  1. Da le belle contrade d'oriente, madrigal
  2. Dalle belle contrade (sexti toni), magnificat for 5 voices, H. xvi/120
  3. O s'io potessi donna dir quel che nel mirar (I), madrigal for 4 voices
  4. O s'io potessi (secundi toni), magnificat for 4 voices, H. xv/3
  5. Praeter rerum seriem, motet for 6 parts
  6. Praeter rerum seriem (secundi toni), magnificat for 6 voices, H. xv/248
  7. Il est jour dit l'alouette
  8. Il est jour (secundi toni), magnificat for 4 voices, H. xiv/133
  9. S'io credessi per morte essere scarco, madrigal for 4 voices
  10. S'io credessi per morte (tertii toni), magnificat for 4 voices, H. xvi/221
  11. Ultimi mei sospiri, madrigal for 6 voices
  12. Ultimi miei sospiri (secundi toni), magnificat for 6 voices, H. xv/58
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Germany's Die Singphoniker is known as a counterpart to The King's Singers, and like that group they have made perhaps their strongest commercial impact with crossover material. Again like The King's Singers, though, they have made superb recordings of Renaissance material in a manner undiluted by contact with pop. With this album you get crossover music of a sort from the 16th century: there are six Magnificat settings by Orlando di Lasso that are based not on plainchant but on preexisting secular songs, in the manner of ...

Orlando di Lasso: Magnificat 2016, CPO

UPC: 761203795727

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