In the four decades since its first publication, Michael Chekhov's To the Actor has become a standard text for students of the theater. This new, definitive version of his master work clarifies the principles Chekhov taught Yul Brynner, Gregory Peck, Marilyn Monroe, and Anthony Quinn, among others. Line drawings.
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In the four decades since its first publication, Michael Chekhov's To the Actor has become a standard text for students of the theater. This new, definitive version of his master work clarifies the principles Chekhov taught Yul Brynner, Gregory Peck, Marilyn Monroe, and Anthony Quinn, among others. Line drawings.
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Seller's Description:
Good. All pages and cover are intact. Possible slightly loose binding, minor highlighting and marginalia, cocked spine or torn dust jacket. Maybe an ex-library copy and not include the accompanying CDs, access codes or other supplemental materials.
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Seller's Description:
Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
A book from one of the most important theater directors which teaches a lot about character development.
Chekhov was an important director with a very interesting personal journey.
wziegler
Sep 13, 2007
My Favorite Acting Text
I had to read this book (along with 28 others) as preparation for acting grad school. It was by far my favorite acting text. It provides a most compelling alternative to "the Method" and other techniques that rely so heavily on the the mining of one's past and his/her personal psychology in creating a role. There are many techniques out there and no serious actor now days subscribes to one and only one, but Chekhov's focus on the power of the imagination appealed greatly to my own sense of adventure and convinced me that acting really can be a creative art form and not just self-therapy.