Nouveau Monde: Baroque Arias and Songs - Evangelina Mascardi (baroque guitar); Evangelina Mascardi (renaissance lute); Evangelina Mascardi (theorbo); Joël Grare (percussion); Josías Rodríguez (archlute); Josías Rodríguez (guitar); Kevin Greenlaw (baritone); Lincoln Almada (harp)
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Track Listing
  1. Vendado es amor, no es ciego, zarzuela: Aria. El bajel que no recela
  2. Yo soy la locura (Passacalle de La Folie)
  3. Cachua, improvisation on a melody recogida by Baltasar Martínez Compañón, Obispo de la diócesis de Trujillo
  4. Vendado es amor, no es ciego, zarzuela: En amor, pastorcillos
  5. Dido and Aeneas, opera, Z. 626: Act 3. Thy hand, Belinda... When I am laid in earth (Dido's Lament)
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  1. Vendado es amor, no es ciego, zarzuela: Aria. El bajel que no recela
  2. Yo soy la locura (Passacalle de La Folie)
  3. Cachua, improvisation on a melody recogida by Baltasar Martínez Compañón, Obispo de la diócesis de Trujillo
  4. Vendado es amor, no es ciego, zarzuela: En amor, pastorcillos
  5. Dido and Aeneas, opera, Z. 626: Act 3. Thy hand, Belinda... When I am laid in earth (Dido's Lament)
  6. Les Indes galantes, opéra-ballet: Nouvelle entrée: Les Sauvages, Scene 6. Danse du Grand Calumet de la Paix (Rondeau) - Forêts paisib
  7. Nó se emenderà jamás, cantata, HWV 140: Aria. No se enmendará jamás
  8. Tonada la lata, song
  9. Mon amy s'en est allé, song
  10. El Congo, tonada
  11. Sans frayeur dans ce bois, chaconne for soprano & continuo, H. 467
  12. Médée, opera, H. 491: Act 3. Scene 3. Quel prix de mon amour!
  13. Médée, opera, H. 491: Act 3. Scene 5. Noires filles du Styx / Scene 6. L'Enfer obéit à ta voix
  14. Médée, opera, H. 491: Act 3. Scene 7. Dieu du Cocyte et des royaumes sombres - Seconde entrée des Démons
  15. Greensleeves, folk song
  16. J'ai vu le loup
  17. Les Indes galantes, opéra-ballet: Première entrée: Le Turc généreux, Scene 2. La nuit couvre les cieux! - Vaste empire des mers - Cie
  18. King Arthur, or, The British Worthy, semi-opera, Z. 628: Act 5. Fairest Isle
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The program for this release by French soprano Patricia Petibon is insanely ambitious, but she pulls it off brilliantly. The "nouveau monde" of the title refers not only to the Americas but to other overseas (from Europe) lands and even, Petibon says in the interview-style booklet, to the new world '"revealed to me by [early music pioneers] William Christie, Jordi Savall, and Nikolaus Harnoncourt when they revolutionized the approach to style and sound." But, Petibon goes on, this new world "is one that always has to be ...

Nouveau Monde: Baroque Arias and Songs 2012, Deutsche Grammophon

UPC: 028947900795

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