Lost Is My Quiet - Carolyn Sampson (soprano); Iestyn Davies (counter tenor); Joseph Middleton (piano)
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  1. Sound the trumpet, beat the drum (Welcome Ode for James II), for 2 altos, tenors, basses, chorus, strings & continuo, Z. 335
  2. Lost is my quiet forever, song, Z. 502
  3. If music be the food of love, song, Z. 379 (3 settings)
  4. Music for a While (from "Oedipus"), song, Z. 583/2
  5. No, resistance is but vain (from "Maid's Last Prayer"), song, Z. 601/2
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  1. Sound the trumpet, beat the drum (Welcome Ode for James II), for 2 altos, tenors, basses, chorus, strings & continuo, Z. 335
  2. Lost is my quiet forever, song, Z. 502
  3. If music be the food of love, song, Z. 379 (3 settings)
  4. Music for a While (from "Oedipus"), song, Z. 583/2
  5. No, resistance is but vain (from "Maid's Last Prayer"), song, Z. 601/2
  6. Celemene, pray tell me (from "Oroonoko"), song, Z. 584/1
  7. Ich wollt', meine Lieb', song for 2 voices & piano, Op. 63/1
  8. Gruß ("Wohin ich geh'"), song for 2 voices & piano, Op. 63/3
  9. Volkslied ("O säh' ich auf der Heide dort im"), song for 2 voices & piano, Op. 63/5
  10. Maiglöckchen und die Blümelein ("Maiglöckchen läufet in dem Thal"), song for 2 voices & piano, Op. 63/6
  11. Scheidend, song for voice & piano, Op. 9/6
  12. Neue Liebe ("In dem Mondenschein"), song for voice & piano, Op. 19a/4
  13. Songs (3) for 2 voices & piano, Op. 77
  14. Zweistimmige Lieder (3) for 2 voices & piano, Op. 43
  15. Nachtlied ("Über allen Gipfeln ist Ruh"), song for voice & piano, Op. 96/1
  16. Stille Liebe ("Könnt' ich dich in Liedern preisen"), song for voice & piano, Op. 35/8
  17. Der Einseidler ("Komm, Trost der Welt, du stille Nacht!"), song for voice & piano, Op. 83/3
  18. Aufträge ("Nicht so schnelle, nicht so schnelle!"), song for voice & piano, Op. 77/5
  19. So wahr die Sonne scheinet, duet for soprano, tenor (baritone) & piano, Op. 37/12
  20. It was a lover and his lass, for voice & piano, Op. 23/3
  21. Weep you no more, for 2 female voices & piano
  22. Music, When Soft Voices die for voice & piano, Op. 25/5
  23. Drink to Me Only with Thine Eyes, for voice & piano
  24. Love's Philosophy, for voice & piano, Op. 3/1
  25. Love calls through the summer night, for 2 voices & piano (from Love at the Inn)
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The idea of a countertenor in songs by Mendelssohn and Schumann may seem odd, and even unrecognizable to the composers themselves. But first of all, check your prejudices: countertenor Iestyn Davies is fully idiomatic in the Purcell songs (as filtered through Britten), and only slightly less so in the neo-Elizabethan tunes of Roger Quilter, so one might just as easily complain about similar programs where a female contralto was used. Second, Davies neatly avoids the issues that have plagued the few countertenors who have ...

Lost Is My Quiet 2017, BIS

UPC: 7318599922799

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