Near Fine in Near Fine jacket. 8¾" x 6¾" Small and slim publication, 76 pages 60 illustrations in color. A one inch tear at the base of the spine to the acetate cover otherwise fine. Foreword by Gail Andrews Trechsel and Jonathan Watkins. Published on the occasion of the exhibition from the Ikon Gallery, Birmingham 3 February-18 March 2004 and the Birmingham Museum of Art, Birmingham AL 29 August 2004-2 January 2005. Selected Bibliography. Biography. What seems to be a quite scarce publication.
Fine in Fine jacket. First edition, first printing. Signed in black ink on the front cover by Holley. Soft cover. Photographically illustrated wrappers; with clear vinyl dust jacket. Installations by Lonnie Holley. Essays by Gail Andrews Trechsel, Thomas W. Southall, David Moos, Michael Stanely and Emily G. Hanna. Includes a selected bibliography and a biography. 78 pp., with four-color and black-and-white plates. 9 x 6-1/2 inches. Fine in Fine dust jacket. From the publisher: "This 25-year survey of the diverse works of self-taught artist Lonnie Holley consider his painting, sculpture, installation, and performance art in the context of mainstream multimedia work. A native of Birmingham, Alabama, the artist is most celebrated for his large installations created from salvaged materials."
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