Fair. Covers/edges show light wear, dust jacket lightly scuffed/scratched, pages clean/tight Item is intact, but may show shelf wear. Pages may include notes and highlighting. May or may not include supplemental or companion material. Access codes may or may not work. Connecting readers since 1972. Customer service is our top priority.
Good. Connecting readers with great books since 1972. Used books may not include companion materials, some shelf wear, may contain highlighting/notes, and may not include cd-rom or access codes. Customer service is our top priority!
Fair. Some highlighting in text; moderate/heavy overall wear. Ships with tracking the same or next business day from New Haven, CT. We fully guarantee to ship the exact same item as listed and work hard to maintain our excellent customer service.
Very good. Signed by author. Signed by Levaco. Clean unmarked text. Covers have some rubbing, light soiling. Binding is solid. Text in English, Russian. 237 p. Writings by Lev Kuleshov. Audience: General/trade.
Very Good in Very Good jacket. 8vo-over 7¾"-9¾" tall. 226pp. incl. index; HB turquoise w/gilt; some rub w/some sun on edges; clean, tight pgs. DJ white&blk.; rubbed w/chips&tears. Essays on both the theoretical and practical sides of filmmaking.
Fine in near fine jacket. Hardcover in dust jacket. First printing of first edition. Book is crisp and clean, with tight binding and sharp corners. Unclipped dust jacket is fresh and bright, with a touch of soiling. Illustrated with photos. Translated and edited with an Introduction by Ronald Levaco. 8vo. 226 pp. including index. In protective Mylar.
VG. NOTE: SOFTCOVER EDITION (both soft and hardcover appear to show same ISBN). Trade softcover in white and black illustrated wraps, 8vo. xi + 226pp. Index, filmography, bibliograhy. VG. Light rubbing to overall clean and strongly illustrated wraps, with light abrasion along edges and toning just off upper edges. Touches of surface loss to lower front corner and spine ends. Binding tight and strong with no reader's crease on spine. Pages clean and unmarked.
University of California Press, Berkeley, CA
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