A study of Holbein's portrait entitled "The Ambassadors". It offers a technical account of the painting and sets it in the context of the religious and political crisis in Europe in 1533, investigating the political fortunes and artistic patronage of the Dinteville family who commissioned it.
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A study of Holbein's portrait entitled "The Ambassadors". It offers a technical account of the painting and sets it in the context of the religious and political crisis in Europe in 1533, investigating the political fortunes and artistic patronage of the Dinteville family who commissioned it.
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Seller's Description:
A tan to the page edges/pages. Minor shelf wear Good condition is defined as: a copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Most items will be dispatched the same or the next working day.
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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 550grams, ISBN: 9780300073263.
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Seller's Description:
Very Good. 112 p. Making & Meaning S. . 68 colour plates, 116 illustrations. Intended for professional and scholarly audience. A study of Holbein's portrait entitled The Ambassadors. It offers a technical account of the painting and sets it in the context of the religious and political crisis in Europe in 1533, investigating the political fortunes and artistic patronage of the Dinteville family who commissioned it.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Good. 112 p. Making & Meaning S. . 68 colour plates, 116 illustrations. Intended for professional and scholarly audience. A study of Holbein's portrait entitled The Ambassadors. It offers a technical account of the painting and sets it in the context of the religious and political crisis in Europe in 1533, investigating the political fortunes and artistic patronage of the Dinteville family who commissioned it.
