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Conlon Nancarrow: Studies for Player Piano - Calefax; Ivo Janssen (pan flute); Ivo Janssen (piano)
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  1. Study for Player Piano No. 3c
  2. Study for Player Piano No. 3b
  3. Study for Player Piano No.10
  4. Study for Player Piano No.6
  5. Study for Player Piano No.11, an isorhythmic blues study
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  1. Study for Player Piano No. 3c
  2. Study for Player Piano No. 3b
  3. Study for Player Piano No.10
  4. Study for Player Piano No.6
  5. Study for Player Piano No.11, an isorhythmic blues study
  6. Study for Player Piano No.14, canon 4/5
  7. Study for Player Piano No.12 "Spanish"
  8. Study for Player Piano No. 3d
  9. Two-part Studies (3) for piano
  10. Study for Player Piano No.18, canon 3/4
  11. Study for Player Piano No.2a, a blues study
  12. Study for Player Piano No.15, canon 3/4
  13. Study for Player Piano No. 4
  14. Study for Player Piano No.20 "Cloud"
  15. Study for Player Piano No.7
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Conlon Nancarrow chose the player piano as the vehicle for his compositions because, when he was writing in the mid twentieth century, human performers simply weren't capable of executing them. Much to his amazement, toward the end of the composer's life, he discovered that instrumental technique had progressed to the point that at least some of his Studies were being performed, largely due to the efforts of pianist Yvar Mikhashoff, who played some himself and arranged others for Ensemble Modern. Since the 1980s, Nancarrow ...

Conlon Nancarrow: Studies for Player Piano 2009, MDG

UPC: 760623154824

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