This volume of criticism presents a variety of new essays on Aldous Huxley's Brave New World, a classic in the science fiction and dystopian genres. These essays delve into the cultural, historical, comparative and critical contexts for understanding Brave New World. For readers who are studying it for the first time, several essays survey the critical conversation regarding this work from all standard critical perspectives - social, gender, post-modern, psychological, and cultural as well as the more traditional historical ...
This volume of criticism presents a variety of new essays on Aldous Huxley's Brave New World, a classic in the science fiction and dystopian genres. These essays delve into the cultural, historical, comparative and critical contexts for understanding Brave New World. For readers who are studying it for the first time, several essays survey the critical conversation regarding this work from all standard critical perspectives - social, gender, post-modern, psychological, and cultural as well as the more traditional historical and close readings. Aldous Huxley's Brave New World is (along with Evgeny Zamyatin's We and George Orwell's Nineteen Eighty-Four) one of the founding texts of the genre of dystopian fiction. Such narratives, involving the exploration of possible dark, oppressive futures, have become one of the most popular genres of contemporary popular culture. Those narratives have recently become extremely common, even in Young Adult fiction. However, the founding texts of the genre remain compelling and continue to set its terms. Of these founding texts, Brave New World is widely acknowledged to be the one whose dystopian future most closely matches the Western world as it has actually evolved since the initial publication of the text more than eighty years ago. The essays in this volume examine the ways in which Brave New World continues to serve as an effective satirical commentary on our own reality, as well as the ways it continues to provide models for the numerous dystopian fictions that are being produced today.
GOOD. First printing in Good condition. Dark brown cloth hardcover; gold lettering and design on spine; gold design on front cover; 311pp; 1932 copyright, 1932 on title page; "first edition" stated on copyright page. No dust jacket. Cloth cover worn through moderately to slightly on outer corners; slight wear on edges at top and bottom of spine; gold on spine has faded to brown; covers faded to medium/ligh brown due to sunlight striking around the cover of a smaller book. Name of prior owner in neat old ink on front free endpaper. Tight binding. Covers bow out very slightly; book slanted slightly to right. **We provide professional service and individual attention to your order, daily shipments, and sturdy packaging. FREE TRACKING WITHIN USA.
Clamshell Case As New. No Jacket. First Edition Clamshell Case. Custom Clamshell Case. No Binding. First Edition Clamshell Case. Huxley, Aldous. BRAVE NEW WORLD. Collector's Clamshell Case. London: Chatto & Windus, 1932. [Book Date]. Superb Custom Fitted Modern Collector's Clamshell Bookcase [Not A Book] HAND-CRAFTED by our conservation team, each box is Gilt-stamped at the spine. The case is finished in rich black Nuba® with a 'sculpted design [after the book's stunning illustrated wrapper] on the side. Velour finished interior. Every TBCL case can be finished in a selection of fine leathers & cloths or Nuba® or a combination of both. Nuba® is a fine, supple & durable covering with a neutral ph that has the feel of velvety soft Italian Nubuck leather. This clamshell is perfectly sized to accommodate your first edition. A Handsome Collector's Custom Case for Huxley's dystopian masterpiece. Custom Craft available upon request. Book definitely NOT included. Generally over 100 in-stock titles. Photographs Upon Request.
Very Good. Chatto and Windus, London 1932. First Edition / First Printing. Dated 1932 with no additional printings listed. "A" on the first page of text. Book Condition: Very Good, rolled spine, shelf wear, age toning. The dust jacket is not present.
Fine. No Jacket. First edition. 8vo. Original gilt stamped blue cloth. Fine. 306 pages. No foxing. No dust jacket. No signatures or bookplates. Printed by T. and A. Constable Ltd., at the University Press, Edinburgh.
First edition of the Huxley's masterpiece. Octavo, bound in full morocco, gilt titles to the spine, raised bands, gilt ruled to the front and rear panels, all edges gilt, marbled endpapers. In fine condition. A very nice presentation. "A nightmarish prognostication of a future in which humanity has been destroyed by science...easily Huxley's most popular (and many good judges continue to think his best) novel" (DNB). "After the success of his first three novels, Huxley abandoned the fictional milieu of literary London and directed his satire toward an imagined future. He admitted that the original idea of Brave New World was to challenge H.G. Wells' Utopian vision...The novel also marks Huxley's increasing disenchantment with the world, which was to result in his leaving England for California in 1937 in search of a more spiritual life. The book was immediately successful" (Parker & Kermode, 161-62). Named by Modern Library as one of the 100 Greatest Novels of the twentieth century.
First Modern Library edition of the author's masterpiece. Octavo, original red cloth. Near fine in a very good dust jacket. Signed and dated by the author in 1962 on the title page. Rather uncommon signed. "After the success of his first three novels, Huxley abandoned the fictional milieu of literary London and directed his satire toward an imagined future. He admitted that the original idea of Brave New World was to challenge H.G. Wells' Utopian vision The novel also marks Huxley's increasing disenchantment with the world, which was to result in his leaving England for California in 1937 in search of a more spiritual life. The book was immediately successful" (Parker & Kermode).
8vo-over 7¾"-9¾" tall. First US edition, first prnt. Maroon cloth-covered boards with gilt lettering and decorations on spine and front board. Beginning toning on spine cloth and board top edges but all gilt intact and bright; dustjacket with minimal edgewear, tiny edge tear and shallow two inch crease on front panel, two small abrasions on the spine, beginning toning and interior offsetting at the spine ends and corners; the gilt highlighting of the front panel and spine letting is still present. A tight, bright and solid copy in Very Good condition in a Very Good dustjacket with a Durafold mylar cover. The US edition is much less common than the UK edition and the US limited issue of 250 de luxe copies which preceded it. Actual image of the book; not a stock photo.
Brave New World is a timeless classic - as true today as the day it was written. Should be on everyone's short list of must read books.
Mar 1, 2012
A classic. Futurist. Predates Orwell's 1984 by almost two decades. Social engineering is not Stalinian " Big Brother" nor workplace obsolescence but sensual conditioning: movies become the "feelies"; recordings during sleep make on love one's class (white, green etc); "soma" pills regulate reproducitve and cicardian rhythms; reproduction is removed from the body.
The conditioned human has become increasingly recognized over the 20th and 21st centuries.
Oct 28, 2011
Brave New World Review
?Brave New World is ahead of its time. An eerie light is shone on today?s society through this book.?
Aldous Huxley takes you into the future with this amusing and innovative science fiction novel. Due to a disease that cased temporary blindness, Huxley was able to write this novel since he couldn?t fight in the war. Brave New World focuses on technology as well as the dark side of genetics.
Set in the year 2540, The World State can be viewed as a perfect society with happy citizens. All humans are created in the Department of Hatchery and Conditioning. They are taught in their sleep and are each assigned a social caste with predetermined roles. They have a flawless drug, it seems, that allows them to escape any of their personal problems. When a scientist, Bernard Marx, ventures to a savage reservation, his eyes are opened to the alternative universe. Soon the entire World State learns about savage life, the way we live today.
Brave New World was a fun and exciting read. It allows your mind to explore the possibilities of the future. Even though it was written in 1932, it is very accurate in describing life today, and probably isn?t too far off about the future years to come. Brave New World highlights the problems of genetic engineering and utopian society, and therefore, is an important must-read.
Mar 11, 2010
overated as a read
Really didn't much enjoy the writers style and quite honestly didn't find the book that interesting. Primarily read it because of the many references to it in other texts. Didn't expect a lot and didn't get a lot.
Jan 19, 2009
The Blatant Truths
The future possibilities are so true it's disturbing. It takes the what-ifs of the unknown, of the future, and turns it into a world where everything glorified in the present is taken to the extreme.
Who's to decide what is superior? Why does technology, science, materialism, sexuality, standardization, and drugs constitute the 'high life?' Why is culture, tradition, creativity/art, individuality, family and manual work considered inferior?
Questions like these are sure to plague you as you read. Huxley has a way with words that is often haunting and effective, but also overly sophisticated (have the dictionary at hand!). For its time, the book's genius.
It's one that'll be sure to make you more conscious of your present. Aside from all the technology that's constantly calling your name, don't forget the other side to life...the side that makes you unique.
Alibris, the Alibris logo, and Alibris.com are registered trademarks of Alibris, Inc.
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited, Baker & Taylor, Inc., or by their respective licensors, or by the publishers, or by their respective licensors. For personal use only. All rights reserved. All rights in images of books or other publications are reserved by the original copyright holders.