The gripping tale of a handsome and charismatic young sailor who runs afoul of his ship's master-at-arms, is falsely accused of inciting a mutiny, and hung, Billy Budd, Sailor is often treated as a masterpiece, a canonical work. But that assessment is at least partly founded on the assumption that the story was complete and ready for publication when it was left among the manuscripts on Melville's writing desk when he died in 1891. As Hershel Parker has pointed out, "It is a wonderfully teachable story--as long as it is not ...
The gripping tale of a handsome and charismatic young sailor who runs afoul of his ship's master-at-arms, is falsely accused of inciting a mutiny, and hung, Billy Budd, Sailor is often treated as a masterpiece, a canonical work. But that assessment is at least partly founded on the assumption that the story was complete and ready for publication when it was left among the manuscripts on Melville's writing desk when he died in 1891. As Hershel Parker has pointed out, "It is a wonderfully teachable story--as long as it is not taught as a finished, complete, coherent, and totally interpretable work of art." Furthering Melville's goal of getting his last literary projects into print, even in their imperfect forms, this last volume in the edition presents the poetry and prose that Melville was unable to finish, his sometimes ineffectual, sometimes heroic purposes betrayed by death. These unfinished writings include, besides Billy Budd, two projected volumes containing poems and prose pieces, Weeds and Wildings and Parthenope; three prose pieces, "Rammon," "Story of Daniel Orme," and "Under the Rose"; and some three dozen poems of varying lengths. Some of these pieces were surely composed late in Melville's career, during his retirement, but others may date to as early as the 1850s. Except for Billy Budd, many of these works have not been readily available in reliable texts, when available at all. This volume, the result of the editors' meticulous study of the manuscripts, offers new reading texts, with significant corrections of words, phrases, and titles, the inclusion of heretofore unpublished lines of verse, and the return to their original locations of the two poems, "The Enviable Isles" and "Pausilippo," that Melville had extracted for use in John Marr (1888) and Timoleon (1891). Hershel Parker's Historical Note traces how these writings fit into the trajectory of Melville's career, and the rest of the Editorial Appendix presents the scholarly evidence and decisions made in creating the reading texts. As a whole, the Northwestern-Newberry Edition of The Writings of Herman Melville, now complete in fifteen volumes, offers for the first time the total body of Melville's extant writings in a critical text, faithful to his intentions.
. (4to in slipcase) Near fine, no dust jacket. 176pp. Black and white cloth in a near fine slipcase. Full page and duoble-page illustrations. The spine is slightly discolored. Illustrations by Robert Shore. Introduction by Maxwell Geismar. (Fiction)
Shaw, Robert. Very good. No dust jacket as issued. New Book; still wrapped in cellophane. 100 Greatest Books Ever Written. MVBC. Leather bound, accented in 22 kt gold. Printed on archival paper with gilded edges. The end sheets are of moire fabric with a silk ribbon marker. Smyth sewing & concealed muslin joints to ensure highest quality binding. This book is bound in genuine leather over board with hubbed spine.
SEALED in the original SHRINKWRAP As New, Accented in 22kt gold, printed on archival paper with gilded edges, smyth sewing & concealed muslin joints. Bound In full leather with hubbed spines. Mint.; 8vo 8"-9" tall.
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