Near Fine in Near Fine jacket. Used. Book and dust jacket have minor edge and shelf wear. No highlighting, underlining or any other marks. NO INTERNATIONAL SHIPPING OR PRIORITY SHIPPING AVAILABLE FOR THIS ITEM.
Very Good. Hardcover. 4to. The Metropolitan Museum of Art. 1992. 549 pgs. Illustrated with Color / Black and White Plates. First Edition/First Printing. DJ has light shelf-wear present. Bound in cloth boards with gilt titles present. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. This book presents a survey of Chinese painting from the eighth to the 14th century, a period during which the nature of China's pictorial art changed dramatically. Illustrated by works in the collection of The Metropolitan Museum of Art, New York, the author begins by describing the advent toward the end of the Bronze Age of figural representation in Chinese art, and next traces the development of Chinese landscape painting from the third to the tenth century. He then moves on to discuss the art of the Sung dynasty, when the imperial government was increasingly absolute and repressive. In this period artists shifted from a realistic rendition of nature to more symbolic representation of single flowers, rocks and trees. By the time of the Yuan dynasty, following the Mongol conquest of 1279, objective representation in art had been replaced by imagery that drew on the artist's inner response to his world. Because it was believed that the meaning of a painted subject, made complex by personal and symbolic associations, could no longer be expressed without language, the painter began to inscribe poems and incorporate calligraphy in his works, the multiple relationships among word, image and calligraphy forming the basis of a new art. At this stage Chinese art entered its richest and most diverse stage of development.; 4to 11"-13" tall.
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