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With an active marketplace of over 175 million items, use the Alibris Advanced Search Page to find any item you are looking for.
Through the Advanced Search, you can find items by searching specific terms such as Title, Artist, Song Title, Genre, etc or you can narrow your focus using our amazing set of criteria parameters.
Advanced Search Can Help Find What You Are Searching For
Use the Alibris Advanced Search Page to narrow your search criteria and find your item!
With an active marketplace of over 175 million items, use the Alibris Advanced Search Page to find any item you are looking for.
Through the Advanced Search, you can find items by searching specific terms such as Title, Director, Actor, Genre, etc or you can narrow your focus using our amazing set of criteria parameters.
Advanced Search Can Help Find What You Are Searching For
Use the Alibris Advanced Search Page to narrow your search criteria and find your item!
Pianist Igor Levit came on the scene with an album devoted to Beethoven's late piano sonatas, works normally not undertaken until a player has had some experience. As if that were not enough, he released a three-CD set featuring Bach's Goldberg Variations, BWV 988, Beethoven's Diabelli Variations, Op. 120, and Frederic Rzewski's The People United Will Never Be Defeated: three giant and challenging variation sets. Seemingly determined to outdo himself, he returned in 2019 with a complete set of Beethoven's sonatas. The four ...
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Pianist Igor Levit came on the scene with an album devoted to Beethoven's late piano sonatas, works normally not undertaken until a player has had some experience. As if that were not enough, he released a three-CD set featuring Bach's Goldberg Variations, BWV 988, Beethoven's Diabelli Variations, Op. 120, and Frederic Rzewski's The People United Will Never Be Defeated: three giant and challenging variation sets. Seemingly determined to outdo himself, he returned in 2019 with a complete set of Beethoven's sonatas. The four late ones, which made a critical splash, are included here (as played in 2013, not in new versions), and the rest follow somewhat in the pattern you might expect from the earlier album. Levit has said that he admires Artur Schnabel's Beethoven recordings from the 1930s, and indeed he has some of the same go-like-the-wind quality. His combination of fast tempi and graceful phrase shaping works well in many of the early sonatas, although in the Op. 10 set his tempos leave him little...
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