Arias for Guadagni - Arcangelo; Iestyn Davies (counter tenor); Jonathan Cohen (keyboards); Jonathan Cohen (conductor)
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Track Listing
  1. Saul, oratorio, HWV 53: Act 1. Scene 5. O Lord, whose mercies numberless
  2. Theodora, oratorio, HWV 68: Act 1. Scene 2. The raptur'd soul
  3. The Choice of Hercules, oratorio, HWV 69: Yet, can I hear that dulcet lay
  4. Belshazzar, oratorio, HWV 61: Act 3. Scene 3. Destructive war
  5. Didone Abbandonata, opera: Act 1. Scene 19. Accompagnato. Ah che dissi!
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  1. Saul, oratorio, HWV 53: Act 1. Scene 5. O Lord, whose mercies numberless
  2. Theodora, oratorio, HWV 68: Act 1. Scene 2. The raptur'd soul
  3. The Choice of Hercules, oratorio, HWV 69: Yet, can I hear that dulcet lay
  4. Belshazzar, oratorio, HWV 61: Act 3. Scene 3. Destructive war
  5. Didone Abbandonata, opera: Act 1. Scene 19. Accompagnato. Ah che dissi!
  6. Didone Abbandonata, opera: Act 1. Scene 19. Aria. Se resto sul lido
  7. Didone Abbandonata, opera: Act 3. Scene 8. Fanfare & Recitative. Odi colà la frigia tromba?
  8. Didone Abbandonata, opera: Act 3. Scene 8. Aria. A trionfar mi chiama
  9. The Fairies, comic opera: Say, lovely Dream!
  10. Alfred, masque in 3 acts: Act 2. Vengeance, O come inspire me!
  11. Symphony for orchestra in D major (Orchester-sinfonien No. 1), H. 663, Wq. 183/1
  12. Telemacco, nell'isola di Circè, opera in 2 acts, Wq. 34: Act 2. Scene 3. Ah! non turbi il mio riposo
  13. Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30: Act 2. Scene 2. Ballo
  14. Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30: Act 2. Scene 2. Arioso. Che puro ciel!
  15. Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30: Act 3. Scene 1. Recitative. Ahimè! Dove trascorsi?
  16. Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30: Act 3. Scene 1. Aria. Che farò senza Euridice?
  17. Ezio, opera in 3 acts, Wq. 15: Pensa a serbarmi, o cara
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Gaetano Guadagni (1728-1792) was one of the leading castrati of his time and composers such as Handel and Gluck wrote important roles for him. He was known not for having a particularly large voice but for his dazzling technique and dramatic sensitivity. Iestyn Davies does not, on first impression, stand out as among the most spectacular of the extraordinary crop of counter tenors to emerge in the first decade of the 21th century. His singing, though, is notable for the openness and freedom of his vocal production, which ...

Arias for Guadagni 2012, Hyperion

UPC: 034571179247

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