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A Portrait - Christiane Oelze (soprano); Christoph Genz (tenor); Donato di Stefano (bass); Elisabeth Hermans (soprano);...
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Track Listing
  1. Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30: Overtura
  2. Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30: Ballo
  3. Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30: Chorus: Ah! Se intorno a quest'urna funesta
  4. Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30: Aria: Che farò senza Euridice
  5. Livietta e Tracollo, intermezzo in 2 acts: Recitative: Invano ti lusinghi
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  1. Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30: Overtura
  2. Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30: Ballo
  3. Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30: Chorus: Ah! Se intorno a quest'urna funesta
  4. Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30: Aria: Che farò senza Euridice
  5. Livietta e Tracollo, intermezzo in 2 acts: Recitative: Invano ti lusinghi
  6. Livietta e Tracollo, intermezzo in 2 acts: Duet: Vado... vado. Ed avrai core
  7. La serva padrona, intermezzo in 2 acts: Aria: Sempre in constrasti
  8. Così fan tutte, opera, K. 588: Ouverture
  9. Così fan tutte, opera, K. 588: Aria: Un aura amorosa
  10. Così fan tutte, opera, K. 588: Recitative et Aria: Ei parte, senti, ah no!... Per pietà, ben mio, perdona
  11. Don Giovanni, opera, K. 527: Aria: Madamina, il catalogo è questo
  12. Don Giovanni, opera, K. 527: Act 1. Finale (tutti): Presto, presto, pria ch'ei venga
  13. Don Giovanni, opera, K. 527: Act 1. Finale (tutti): Venite pur avanti
  14. Don Giovanni, opera, K. 527: Aria: Deh vieni alla finestra
  15. Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: Aria: Non so più, cosa son, cosa faccio
  16. Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: Aria: Non più andrai, farfallone amoroso
  17. Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: Aria: Giunse alfin il momento
  18. Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: Act 3. Final (tutti): Gente, gente, all'armi, all'armi
  19. Die Schöpfung (The Creation), oratorio, H. 21/2: Terzetto: Zu dir, o Herr, blickt alles auf
  20. Die Schöpfung (The Creation), oratorio, H. 21/2: Chorus: Vollendet ist das große Werk
  21. Requiem for soloists, chorus & orchestra, K. 626: Introitus
  22. Requiem for soloists, chorus & orchestra, K. 626: Kyrie
  23. Requiem for soloists, chorus & orchestra, K. 626: Sequenz: Dies irae
  24. Armide, opera, LWV 71: Passacaille
  25. La Fantaisie, ballet: Tambourin
  26. La Fantaisie, ballet: Chaconne
  27. Les Plaisirs champêtres, for ensemble: Musette
  28. Les Plaisirs champêtres, for ensemble: Gavotte
  29. Les Plaisirs champêtres, for ensemble: Passepied
  30. Les Plaisirs champêtres, for ensemble: Bourée-Rigoudon-Bourée
  31. Daphnis et Églé, pastorale héroïque: Ouverture
  32. Daphnis et Églé, pastorale héroïque: Menuet en Rondeau
  33. Daphnis et Églé, pastorale héroïque: Tambourins 1 & 2
  34. Daphnis et Églé, pastorale héroïque: Contredanse
  35. Cello Concerto, for cello, strings & continuo in D major, RV 403: Allegro
  36. Violin Concerto, for violin, strings & continuo in E major ("La Primavera," The Four Seasons; "Il cimento" No. 1), Op.8/1, RV 269: La Primavera. Allegro
  37. Violin Concerto, for violin, strings & continuo in E major ("La Primavera," The Four Seasons; "Il cimento" No. 1), Op.8/1, RV 269: La Primavera. Largo e pianissimo sempre
  38. Violin Concerto, for violin, strings & continuo in E major ("La Primavera," The Four Seasons; "Il cimento" No. 1), Op.8/1, RV 269: La Primavera. Danza Pastorale
  39. Cassation for orchestra in G major, K. 63: Andante
  40. Cassation for orchestra in G major, K. 63: Finale - Allegro assai
  41. Divertimento No. 7 for 2 horns, bassoon & strings in D major, K. 205 (K. 167A): Adagio
  42. Divertimento No. 7 for 2 horns, bassoon & strings in D major, K. 205 (K. 167A): Finale
  43. Divertimento for 2 oboes, 2 horns, bassoon & strings in F major, H. 2/20: Adagio
  44. Keyboard Concerto in G major, H. 18/4: Finale
  45. Cantata No. 178, "Wo Gott der Herr nicht bei uns hält," BWV 178 (BC A112)
  46. Cantata No. 144, "Nimm, was dein ist, und gehe hin," BWV 144 (BC A41)
  47. Cantata No. 61, "Nun komm, der Heiden Heiland," BWV 61 (BC A1)
  48. Brandenburg Concerto No. 3 in G major, BWV 1048
  49. Cantata No. 91, "Gelobet seist su, Jesu Christ," BWV 91 (BC A9)
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La Petite Bande, the Belgian Baroque orchestra that Sigiswald Kuijken founded in 1972, has gone on to become a leader in the historically informed performance movement, basing its performances on scrupulous research into period practices in details such as intonation, the use of authentic instruments, and the appropriate size of ensembles. The group was the first to make a recording of Haydn's Creation using authentic period instruments, and the first to record Gluck's Orfeo ed Euridice with a male (a counter tenor) as ...

A Portrait 2012, Accent

UPC: 4015023242715

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