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Reconnections
(2006)
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by
R. Carlos Nakai
R. Carlos Nakai has continually explored new avenues in which to showcase his Native American flute, working both solo and within various collaborative configurations, challenging himself and contemporizing the genre along the way. He's always been eager to look beyond the obvious, and as on his other recordings, Reconnections pays respect to ...
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Flesh on Flesh
(2002)
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by
Al di Meola
Al di Meola continues to broaden his musical horizons with Flesh on Flesh, his fourth release for the Telarc recording label. The great guitarist is joined by two members of his World Sinfonia acoustic group -- Gumbi Ortiz on percussion and Mario Parmisano on keyboards -- in addition to such stellar musicians as Gonzalo Rubalcaba, flutist ...
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Rio Grande Dub
(2007)
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by
Ministry
Gutting the Rio Grande Blood album, then remixing the remains into a bullet train high on chaos, Rio Grande Dub actually earns higher marks than its parent, especially when the casual nature of remix albums is taken into consideration. It's been ages since Al Jourgensen and crew sounded so industrial, but thanks to all the steely shards of noise ...
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Outbound
(2000)
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by
Béla Fleck & the Flecktones
After a decade with Warner Bros., Béla Fleck jumped to Sony's Columbia Records, signing a five-record deal that called for two releases on Sony Classical, a solo album, and two discs with his band the Flecktones of which Outbound is the first. It is a typically eclectic effort. For example, the Fleck original "Shuba Yatra" (its title, he explains ...
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Esperanto
(2003)
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by
Rick Braun
The title of the popular trumpeter and composer's latest triumph is a wistful reference to a language created in the late 19th century (by Dr. L.L. Zamenhof, who used the pseudonym "Dr. Esperanto") to facilitate communication between people of different lands and cultures. It's representative of the unique vibe of the collection, which features ...
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Red & Green
(2005)
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by
Ali Farka Touré
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Live at the Quick
(2002)
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by
Béla Fleck & the Flecktones
Anyone who saw the Flecktones in their early days probably told you that it was an amazing experience, and a big part of that praise undoubtedly focused on the group's improvised jams. With Victor Wooten sometimes playing two basses simultaneously and Fleck wandering through the audience picking cosmic banjo lines, their shows were spectacles to ...
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Jungle Guitars
(2006)
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by
Strunz & Farah
Jungle Guitars boasts a title that sounds like it belongs on an old exotica album of the '50s, and indeed, the album revives the old Martin Denny trick of including bird song and other rainforest field recordings in the tunes. Aside from that, however, Jungle Guitars is a fairly standard Strunz & Farah album, with the two guitarists working ...
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Telarc SACD Jazz Sampler, Vol. 3
(2004)
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by
Various Artists
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Principio de Insertidumbre
(2004)
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by
Ismael Serrano
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Me Verás Volver
(2007)
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by
Soda Stereo
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Midnight Crossing
(1994)
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by
Michael Davis
In the late '90s, trombonist Michael Davis gained some recognition for playing with Chick Corea's Origin. This earlier set, however, is rather commercial and unimaginative. Although Davis has a few decent solos, even such songs as "The Look of Love," "Come Rain or Come Shine," and "I'm Getting Sentimental Over You" (not to mention the originals) ...
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Chau Soda
(1997)
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by
Soda Stereo
This double-CD compilation was released when the band announced its end in 1997. It contains songs from the CBS years, that's from 1984 until 1994, that showcase the band's early days of new wave inspiration to the sophistication exuded throughout the early '90s. Those nearly 20 years of career were the band's best. Not a minor detail is the fact ...
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Frontera
(1976)
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by
Strunz & Farah
Frontera is an intriguing effort by a duo whose music would unfortunately quickly turn into flaccid new age mush. Clearly influenced by the likes of Al DiMeola and the ECM stable, Jorge Strunz and Ardeshir Farah start from the mellowest side of post-fusion '70s jazz, add world music forms suggested by their varied upbringings (Strunz was born in ...
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Desde Mi Ventana
(2005)
by
Ilona
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Ilha Brasil
(1996)
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by
Joyce
In the first sound heard through this album, the listener would be put at a typical gafieira ball in Rio: the best orchestral tradition in Brazil, which mixes the strong rhythmic/melodic Brazilian tradition with the orchestral achievements from the jazz big bands and Caribbean grooves. The album opens with a hot, hot, hot samba, followed by a mild ...
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Zona de Fronteira
(1994)
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by
João Bosco
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BET on Jazz Presents: Jazz Now
(2001)
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by
Various Artists
When people think of Black Entertainment Television (BET), they think of R&B and rap -- those genres are its bread and butter. But BET hasn't ignored jazz, and BET on Jazz has focused on a variety of jazz styles. When BET on Jazz first got started, some cynics feared the worst and predicted that it would end up being the cable TV equivalent of a ...
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Garota Moderna
(2003)
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by
Rosalia de Souza
Italian producer Nicola Conte was responsible for one of the biggest underground dance hits of 2000, the wonderfully catchy and light "Bossa Per Due." That song and the album it was on, also titled Bossa Per Due, were a refreshing blast of laid-back Brazilian jazz meeting Stereolab at cocktail hour and made Conte one of the most sought-after ...
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Otra Vez en la Ruta
(2005)
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by
Obús
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The Knock Out: A Tiempo de Reggaeton
(2003)
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by
Various Artists
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Insofarasmuch
(2003)
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by
Two High String Band
Amiable neo-traditional folkies Two High String Band meander their way through 12 gently heartfelt tunes on their second album, Insofarasmuch. The spirit of Norman Blake sails markedly through these recordings, surfacing quite literally on the tribute "Thanks Norman," which embodies the folk legend's warm picking style and friendly sense of melody ...
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Zona Torrida
(2004)
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by
Strunz & Farah
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Sambas de Bossa
(1997)
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by
Milton Banana
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Bossa Nova
(1993)
by
Fogueira Tres
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