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The Best of Pete Fountain [GRP]
(1961)
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Pete Fountain
Although this CD draws its 22 selections from clarinetist Pete Fountain's best period (his years on the Coral label), the selections picked are sometimes a bit eccentric. Fountain is heard playing Dixieland with some of his bands, but is also joined by -- choral groups and occasional strings; no personnel listing or even recording dates are ...
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Caught in the Act (At The Thunderbird, Las Vegas)
(1958)
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by
Frances Faye
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Living Out Loud
(1998)
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Original Soundtrack
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That's All! [Rhino]
(1967)
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Sammy Davis, Jr.
After a two-year hiatus from the Las Vegas casino circuit to appear on Broadway in Golden Boy, Sammy Davis, Jr.'s triumphant return was commissioned by none other than Reprise Records' boss -- one Francis Albert Sinatra. That's All is a living testament to the omni-talented entertainer. On the two-CD set, Rhino Records has retrofitted the original ...
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The Best of Russ Morgan
(1972)
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Russ Morgan
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Sinatra & Sextet: Live in Paris
(1962)
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by
Frank Sinatra
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Mr. Las Vegas!
(2005)
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by
Wayne Newton
Wayne Newton has spent the better part of five decades playing to sold-out houses in the Nevada desert, so it comes as no surprise that the state's most famous town feels compelled to honor one of its most recognizable icons with a compilation worthy of his nickname. Part of EMI's Las Vegas Centennial Celebration series -- the liner notes include ...
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Unforgettable Merle Haggard
(2004)
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Merle Haggard
As the '90s drew to a close, Merle Haggard left major labels behind, putting out a pair of excellent records on the punk label Epitaph before parting ways with them and releasing a politically charged album on an even smaller indie called Compendium, before quietly returning to his longtime home, Capitol, in 2004 with Unforgettable. This album is ...
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22 Great Hits
(1985)
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by
The Mills Brothers
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This Time I'm Swingin'!/Pretty Baby
(1957)
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Dean Martin
This British two-fer combines Dean Martin's fourth (This Time I'm Swingin'!, 1960) and second (Pretty Baby, 1957) regular studio albums onto one CD. The later album, heard first, was Martin's initial collaboration with conductor/arranger Nelson Riddle. It was an easy, swinging collection with appealing horn charts and a series of comfortable ...
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All Time Greatest Hits
(1941)
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by
The Mills Brothers
For those whose interest and budget forbid purchase of the two-disc Anthology, All Time Greatest Hits is a reasonable alternative, with 16 of their biggest smashes, including "Paper Doll," "You Always Hurt the One You Love, " and "Across the Alley from the Alamo." Except for the 1968 hit "Cab Driver, " everything here is from the 1940s and early ...
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The Great Dean Martin [Goldies]
(1993)
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Dean Martin
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Our Shining Hour
(1965)
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by
Sammy Davis, Jr. & Count Basie
This is one of popular entertainer Sammy Davis, Jr's best jazz-oriented albums. The CD reissue features Davis with the Count Basie Orchestra performing arrangements by Quincy Jones. Unfortunately, the personnel of the Basie band is not given, but the orchestra mostly acts as a prop behind Davis much of the time anyway. The singer is heard in top ...
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Ultimate 16: Essential Love
(2005)
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by
Various Artists
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Love Songs by Dean Martin
(1997)
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Dean Martin
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Very Best of Love
(2004)
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by
Andy Williams
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Cinema Jazz
(1995)
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by
Miyuki Koga
Miyuki Koga sings 16 classic songs from the cinema in her clear, effortless style. Heather Phares, All Music Guide
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Moon River [2003 Sony Special Products]
(2003)
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by
Andy Williams
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A Touch of Class
(1995)
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by
Pete Fountain
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All the Hits: 1948-1969
(1993)
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by
Dean Martin
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Spotlight on Dean Martin [Great Gentlemen of Song]
(1995)
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by
Dean Martin
Unlike many in Capitol's Spotlight On... series, Dean Martin's volume isn't quite the all-encompassing hits collection it appears to be from the package. Of the 18 tracks, each was recorded at either of two sessions -- January 1959 and May 1960 -- just over a year apart, which doesn't exactly make the album a career retrospective. Still, it ...
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Radio Romance
(1998)
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by
Various Artists
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Feeling Good
(1965)
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by
Henry "Red" Allen
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Introducing Roberta Sherwood
(2007)
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Roberta Sherwood
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Louie Bluie
(1985)
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Howard Armstrong
As easy as it is to characterize Howard Armstrong as the last link in the once great African-American string band tradition, he really had the kind of personality and talent that transcended simple genre labels. A visual artist as well as a consummate musician (he is rumored to have been able to play 22 different types of instruments), his grasp ...
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