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Beyond Belief
(1990)
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by
Petra
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Mine Is Not a Holy War
(2006)
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by
Jihad Jerry & the Evildoers
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Shoot the Moon: The Essential Collection
(2005)
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by
Face to Face
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What's in a Name
(1995)
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by
Rodney Dangerfield
What's in a Name was one of Rodney Dangerfield's earliest records, recorded before he became a celebrity on the back of his hilarious "I get no regard" schtick. In fact, many of his latter-day fans may be a little surprised by how straitlaced and domesticized much of this material this is. And that's why it's of interest more as a curio than a ...
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Swandive
(1991)
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by
Bullet Lavolta
Before emo became a genre of music in the mid-'90s, Bullet LaVolta was opening the doors for their future contemporaries. Songs like "My Protector" rage with an emotional power rarely found in hardcore at the time. "Blizzard" sounds like early Mudhoney, and "Before I Fall" is like a happy (or at least a less unhappy) Fugazi. There are moments ...
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Transformation
(1996)
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by
Eric Champion
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Rock and Roll Station
(2000)
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by
Joe d'Urso & Stone Caravan
In the liner notes that he wrote for Rock and Roll Station, Joe D'Urso laments the way commercial radio has changed over the years. D'Urso obviously longs for the days when DJs at commercial stations were allowed to pick some of the records that they played and had the power to break a new record. These days, a mega-corporation will own hundreds ...
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High Voltage
(2005)
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by
Common Ground
Violinists Zach Brock and Tom Wright seem well matched on this recording that showcases not only their excellent skills in playing their amplified instruments, but also gives the listener a taste of their abilities as modern jazz composers. It's quite a good balance of symmetry, mutual consent, and slight contrasts within a progressive and ...
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Star Profile
(1999)
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by
Shania Twain
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3 Originals
(2003)
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by
Kayak
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The Best of Comedy
(1996)
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by
Various Artists
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Show Me [Bonus Tracks]
(1999)
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by
54-40
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Reactionary
(2000)
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by
Face to Face
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The Magic Land of Radio
(2002)
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by
Obi
Though some critics have suggested that Obi might be the next coming of the Go-Betweens, the band's debut album suggests they're more in line to become the next Czars. That's more than an acceptable fate for any band, though as of Obi's debut, the Czars have yet to take off and earn the acclaim they're due. While it's difficult to guess where The ...
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Transatlantic Years
(2002)
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by
Billy Connolly
The CD-era has proved that just about anything that can be reissued will be. This double-CD collection of Glaswegian comedy minstrel Billy Connolly is a curious collection of material from the years 1969 to 1974. Besides the amazingly irritating and stupidly smarmy liner notes by Shaun Stallard, who attempts to somehow encapsulate Connolly's daft ...
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20th Century Masters - The Millennium Collection: The Best of Rodney Dangerfield
(2005)
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by
Rodney Dangerfield
Few standup comedians hold a place in the heart of popular culture like Rodney Dangerfield. His shirt collar-tugging, self-deprecating delivery of one-liners and his signature catch phrase, "no respect," have been poorly imitated by millions and have inspired a legion of standup comedians to develop their own variation on his style. Surprisingly, ...
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Maximum Goo Goo Dolls
(2000)
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by
Goo Goo Dolls
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The San Francisco Sound, Vol. 2
(2006)
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by
Art Hickman
The first jazz-oriented orchestra to feature a saxophone section, predating Paul Whiteman, was led by Art Hickman in San Francisco during 1917-1921. Until Archeophone reissued nearly all of Hickman's recordings on two CDs, his orchestra's performances were completely unavailable for over 80 years. The San Francisco Sound, Vol. 2 covers Hickman's ...
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The Best of Judas Priest [Koch International]
(2001)
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Judas Priest
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For All People
(1994)
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by
Alex Murzyn
The hip title of the recent benefit project "Red Hot & Cool" is a slick way to describe the mixed intentions of saxman Alex Murzyn on For All People (Monarch). He and his Bay Area-based ensemble blast out of the gate quickly, challenging anyone who felt the "jazz" had gone out of "contemporary jazz". Murzyn's fiery, fat tones bounce in all ...
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Loser
(1990)
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by
Rodney Dangerfield
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The Best of Judas Priest [Transluxe]
(1995)
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by
Judas Priest
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Satire Is Serious Business
(1995)
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by
William De Fotis
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Audio Biography CD
(2000)
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by
U2
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Notes from Thee Real Underground, Vol. 1
(2001)
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by
Various Artists
Notes From thee Real Underground collects three discs' worth of industrial, goth, darkwave and dream pop, including tracks like Louie Fontaine's salacious "Evil Force in My Pants," Vodka9's sensuous and spooky "I Kiss a Killer," Strand's abrasive "Cleanse" and D.A. Sebastian's gloomy "Isabella Rossellini." The collection's only problem is that it ...
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