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Nancy Wilson & Cannonball Adderley
(1962)
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Nancy Wilson w/ Cannonball Adderley
This is a reissue of an excellent collaboration of the Nancy Wilson voice with the Cannonball Adderley alto sax from the early '60s. While this 1961 recording was the first time Wilson was with Adderley in the studio, it was not the first time they had worked together. After singing with Rusty Bryant's band, Wilson worked with Adderley in Columbus ...
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Smokin' at the Half Note [Bonus Tracks]
(2005)
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by
Wes Montgomery
Smokin' at the Half Note is essential listening for anyone who wants to hear why Wes Montgomery's dynamic live shows were considered the pinnacle of his brilliant and incredibly influential guitar playing. Pat Metheny calls this "the absolute greatest jazz guitar album ever made," and with performances of this caliber ("Unit 7" boasts one of the ...
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Smokin' at the Half Note
(1965)
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by
Wynton Kelly Trio/Wes Montgomery
Smokin' at the Half Note is essential listening for anyone who wants to hear why Montgomery's dynamic live shows were considered the pinnacle of his brilliant and incredibly influential guitar playing. Pat Metheny calls this "the absolute greatest jazz guitar album ever made," and with performances of this caliber ("Unit 7" boasts one of the ...
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Progressions: 100 Years of Jazz Guitar
(2005)
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by
Various Artists
This expansive four-disc anthology essentially covers the recorded history of the guitar in the 20th century, beginning with the ragtime banjo that set the table for the role of the guitar in a jazz setting in the early 1900s, and then touching all the bases clear through to the post-postmodern possibilities of the instrument in the 21st century. ...
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Maximum Firepower
(2006)
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Louis Hayes & the Cannonball Legacy Band
Maximum Firepower was recorded by the Cannonball Legacy Band, an ensemble dedicated to the Cannonball and Nat Adderley spirit of jazz, albeit not necessarily their tunes (though there are a pair of Nat's on this set). Drummer Louis Hayes, a stalwart, fluid, and funky player has been through all the changes in the music since the hard bop era, and ...
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Look to the Sky
(1996)
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by
Tom Harrell/John McNeil
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Unit 7
(1989)
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by
Mike Smith
Mike Smith wears his Cannonball Adderley influences proudly, and on this tribute disk the parallels are even more evident. That said, Smith, a fine, articulate player and capable leader, is just as easily recognizable as a disciple of Phil Woods or Sonny Stitt, players with a more precise, incisive approach to the alto sax compared to Adderley's ...
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Night Out
(1990)
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by
Michael Logan
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Cannonball Adderley
(2000)
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by
Various Artists
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Hi-Fly
(1994)
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by
The Riverside Reunion Band
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Impressions: The Verve Jazz Sides
(1965)
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by
Wes Montgomery
The two-CD set Impressions: The Verve Jazz Sessions salvages Wes Montgomery's straight jazz sessions for Verve, leaving the pop-oriented covers and orchestral sessions to the original albums. There are selected numbers from albums like Movin' Wes, Goin' Out of My Head and California Dreaming, illustrating that those albums were hardly worthless -- ...
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Hands On
(2003)
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by
Gene Ludwig
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Plays the Blues
(1964)
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by
Wes Montgomery
A grab-bag set from past efforts. It's good for its mix of sessions pitting Montgomery with Jimmy Smith (organ), but has somewhat of a slapdash quality. Ron Wynn, All Music Guide
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This One's for You
(2000)
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by
Eddie Green [Keyboards]
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Oatts & Perry
(2006)
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by
Harold Danko Quintet
Not long after saxophonists Dick Oatts and Rich Perry joined the Thad Jones/Mel Lewis Orchestra, pianist Harold Danko (who was already in the band) was very impressed with their abilities, and he began to conceive of a record date featuring both men by the early '80s, though it wouldn't come to fruition for another quarter century. Together with ...
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Introducing Doug Raney
(1977)
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Doug Raney
Doug Raney was 21 when he recorded this set, his first date as a leader. Heavily influenced by his father Jimmy Raney, with whom he had recently played duets during a tour of Europe, young Doug sounds surprisingly mature on this quartet set with pianist Duke Jordan, bassist Hugo Rasmussen and drummer Billy Hart. He performs eight jazz standards ...
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On My Way Home!: A Tribute to Cannonball Adderley and Nancy Wilson
(2006)
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by
Jimmy "Junebug" Jackson
Jimmy "JuneBug" Jackson is best known for being the drummer with Jimmy Smith's group on and off during the organist's last 20 years. For this set, Jackson performs seven songs that were recorded on the famous album that Nancy Wilson made in the early 1960s with Cannonball Adderley's quintet, along with three newer songs. There is one obvious ...
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We Remember Cannon
(1989)
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Nat Adderley Quintet
Cornetist Nat Adderley is in better shape than usual on this spirited live date with his quintet. Utilizing altoist Vincent Herring (who sounds pretty close in spots to Cannonball Adderley), pianist Art Resnick, bassist Walter Booker, and drummer Jimmy Cobb, Adderley is in fine form on "I'll Remember April," "Unit 7," the inevitable "Work Song," ...
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Right Down Front: The Riverside Collection
(1988)
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by
Sam Jones
For this compilation of small big-band performances, bassist Sam Jones -- long recognized for his ability to anchor and swing a session -- reliably grounds a collection of arrangements that have an affinity with the Count Basie Band's early-'60s book. The tracks are from three LPs that Jones recorded between 1960 and 1962, during his tenure with ...
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The Way I Play: Live in Chicago
(2008)
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by
Bobby Broom
Between stints of touring with Dr. John, or Sonny Rollins, or his own Deep Blue Organ Trio, guitarist Bobby Broom has been holding court in a Chicago restaurant for a decade or so in a small trio format. Eventually feeling comfortable with the vibe he'd been creating, a live album was culled from a series of recordings over a few months of the ...
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Final Notes
(2002)
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by
Wynton Kelly
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Up Up with the Jazz Convention
(1998)
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by
Jazz Convention
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