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The Butch Thompson Trio Plays Favorites
(1992)
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Butch Thompson
Pianist Butch Thompson has been quite consistent in his recording career, sticking to his vision of creatively interpreting pre swing New Orleans and Chicago jazz within the tradition. While most of his sets feature some obscurities, this CD with his trio (which also includes bassist Robbie Schlosser and the colorful drummer Hal Smith) sticks to ...
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Lone Star Rag: 1937-1949, Vol. 2
(2005)
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by
Bill Boyd's Cowboy Ramblers
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Up in Volly's Room
(1972)
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by
Art Hodes
Clarinetist Volly DeFaut made a few notable recordings during the first half of the 1920s, including some with Jelly Roll Morton, and then largely dropped out of music. Fortunately, he never completely gave up playing, and his contributions to these 1972 sessions (reissued on CD) are one of the main reasons to acquire this release. While seven ...
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Bucket's Got a Hole in It
(1968)
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Barney Bigard
This is one of clarinetist Barney Bigard's best recordings of his later period. On four of the eight selections, he is well-featured on swing standards with a quartet who also includes the great pianist Art Hodes. The other four tracks are more in the Dixieland vein, with trumpeter Nappy Trottier and veteran trombonist George Brunis making the ...
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Midnight Blue
(1994)
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by
Art Hodes Blue Five & Six
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Jazzaplenty
(2005)
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by
Clement Tervalone
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The Complete Set: 1922-1925
(2001)
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New Orleans Rhythm Kings
1922-1925 Complete Set contains all that is essential from the New Orleans Rhythm Kings, arguably the finest small combo white jazz group of the early '20s. Comprised of Paul Mares on cornet, George Brunies on trombone, and Leon Roppolo on clarinet, along with a rotating rhythm section, the Kings specialized in energetic early Dixieland pieces. ...
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Farewell Blues, Vol. 2
(2000)
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by
King Oliver
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New Low Down
(2004)
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by
Gene Mayl's Dixieland Rhythm Kings
On the Dixieland circuit, bands don't necessarily breakup when members leave, retire from music, or pass away -- instead, they simply hire new members and keep plugging away year after year. That is true in the United States; it is true in Great Britain, where a Dixieland veteran like London bassist Pete Corrigan (just to give one example) has ...
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Jazz Party
(2002)
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Papa Bue's Viking Jazz Band and Liller
Denmark trombonist Papa Bue Jensen formed his Papa Bue's Viking Jazz Band in 1956 and has been turning out lively approximations of New Orleans-styled Dixieland jazz ever since, often on the Storyville Records imprint. This 33-track set (most of the tracks are extremely brief, often under two minutes in length) was recorded at Rosenberg Studio in ...
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Vol. 1
(2001)
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Original Indiana Five
All of the Original Indiana Five recordings of the 1920s are being reissued by Jazz Oracle, except for their recordings for the Harmony label, which have already been made available by the Frog record company. Influenced by the Original Dixieland Jazz Band and the New Orleans Rhythm Kings, the Original Indiana Five were not quite in their league. ...
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Jazz Heritage: Papa Joe (1926-1928)
(1926)
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King Oliver With Dixie Syncopators
This was recorded from 1926-1928 with his Dixie Syncopators. Mid-'20s jazz features Oliver leading a coterie of New Orleans stars like Omer Simeon (cl), Kid Ory (tb), Barney Bigard (cl), Luis Russell (p), and Paul Barbarin (d) on tunes such as "Snag It," "Sugar Foot Stomp," and "Farewell Blues." Bruce Boyd Raeburn, All Music Guide
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The Wingy Manone Collection, Vol. 1 (1927-1930)
(1927)
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Wingy Manone
The Danish Collector's Classics label (which is available through Storyville) has been reissuing all of trumpeter Wingy Manone's recordings as a leader during his prime years on this series of CDs. Manone is heard in 1927 with his Harmony Kings, in 1928 with his Club Royale Orchestra (a quintet), as a sideman with Benny Goodman in 1929, with the ...
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1926-1928
(1926)
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by
King Oliver
It's the middle of September, just past the middle of the 1920s, and Bert Cobb is playing an entire chorus of "Someday, Sweetheart" on his tuba without adding any embellishments whatsoever. Barney Bigard moans through a saxophone, and Johnny Dodds pours the rest of it right out the bottom of his clarinet. Meet the Dixie Syncopators. King Oliver ...
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Red Nichols and His Five Pennies [Laserlight]
(1944)
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by
Red Nichols
Recent reissue covering music from the early '40s by Red Nichols and his Five Pennies, arguably the most influential white small jazz combo in the '20s and '30s; by the time of these tracks, however, Nichols was losing some steam and impact. Ron Wynn, All Music Guide
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New Orleans Rhythm Kings and Jelly Roll Morton
(1922)
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New Orleans Rhythm Kings w/ Jelly Roll Morton
This single CD reissues all of the music on the earlier double LP of the same title (and catalog number), except for some alternate takes, although it confuses matters a bit by adding a "new" alternate of "Milenberg Joys." The New Orleans Rhythm Kings were the best group on record during 1922, and all of its earliest recordings are on this ...
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Hearing Is Believing
(1991)
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Dukes of Dixieland
No traditional jazz ensemble has ever been recorded as often or with as much fanfare as The Dukes of Dixieland. Their willingness to experiment with studio innovations reflects a more ambitious nature than their music usually reveals. Their performances are always well done, but often more respectful than memorable. That's something of the case ...
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Vintage Art Hodes
(1999)
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Art Hodes
All 17 selections on this 1999 CD were previously unreleased. Art Hodes is heard on unaccompanied piano solos from 1930, 1942, 1944, and 1950. Since he made no recordings from 1929-1938 (there were just two selections as a sideman for his debut in 1928), the four numbers from 1930 (all quite brief, including "Ain't Misbehavin'" and "I Ain't Got ...
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1951 Parlor Social
(1999)
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by
Art Hodes
The music on Parlor Social was privately recorded at a party in Minneapolis in 1951 and released for the first time in 1999. The recording quality is just so-so with plenty of distractions from the audience. Pianist Art Hodes (accompanied by Buddy Smith on percussion) sounds in happy form on six selections including a seven-and-a-half-minute "Beer ...
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A Proper Introduction to Bob Crosby: The Big Noise From Winnetka
(2004)
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by
Bob Crosby & the Bob Cat Orchestra
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Dr. Jazz Series, Vol. 10
(1952)
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by
Bobby Hackett
In the detailed liner notes, Jack Sohmers anticipates some of the criticisms to this full-length recording, particularly the dated style of clarinetist Gene Sedric, whom Sohmers admits "seem[s] most out of place here." Nonetheless, and despite the less-than-stellar sound quality (although evidently much improved due to the restoration efforts of ...
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Best of King Oliver
(2005)
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by
King Oliver
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Happy Jazz
(1998)
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by
Red Nichols
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1954-1956 Classic Studio and Live Performances
(2007)
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by
Louis Armstrong
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The Quintessence: Richmond - Chicago - New York City: 1923-1928
(2002)
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by
King Oliver
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