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The Definitive Collection
(2007)
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by
Howlin' Wolf
At six foot three and 270 pounds, Chester Burnett was a bear of a man, but his voice, rough and harsh as broken Delta glass, was what really gave him dimension. A powerful blues shouter out of the Charley Patton mold, Burnett (or Howlin' Wolf, as he came to be known) brought a feral fire to his vocals that made him sound like a gale force ...
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The Chess Box
(1989)
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by
Willie Dixon
This was the most unusual, and probably the most difficult to assemble of MCA's Chess Box series, mostly because of the unusual nature of Willie Dixon's contribution to Chess Records. To be sure, Dixon rates a place in the history of the label right alongside that of Muddy Waters, Howlin' Wolf, and Little Walter, but his role was more subtle than ...
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In a Family Way
(2005)
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by
Ann Rabson
While Ann Rabson has made a name for herself as a member of the popular blues trio, Saffire, it's quite a revelation to hear her solo. Whereas Saffire dazzles with multiple vocalists and the occasional risqué number, Rabson reveals herself as more than another revivalist jumping on the acoustic blues wagon. Sure, she can write within the tradition ...
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His Best
(1997)
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by
Howlin' Wolf
With the exception of a vinyl compilation issued in the early '80s (His Greatest Sides, Vol. 1), there'd never really ever been a single-disc Howlin' Wolf best-of package available. That all changed with this entry in MCA/Chess' 50th Anniversary series, a 20-track retrospective that serves as the perfect introduction to the man and his music, some ...
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Smokin' Blues
(2000)
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by
Various Artists
Smokin' Blues collects nine blues tracks from John Lee Hooker, Little Milton, Bobby Bland, and Little Walter at a budget price. B.B. King's "Into the Night," Muddy Waters' "Love Weapon," Etta James' "Next Door to the Blues," and Howlin' Wolf's "Three Hundred Pounds of Joy" are some of the highlights from this brief but undeniably affordable blues ...
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These Blue Nights
(2006)
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by
Dana Gillespie
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The Collection
(2000)
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by
Howlin' Wolf
Though there are countless others, this is a pretty neat little compilation of Howlin' Wolf's best moments from various points in his career. Containing 18 tracks for a budget price, many of the true classics are here, from "Evil" and "Smokestack Lightning" to "Spoonful" and "Back Door Man." There are also a coupe of surprises that don't usually ...
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The Real Folk Blues
(1966)
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by
Howlin' Wolf
This was originally released by Chess in 1966 to capitalize on the then-current folk music boom. The music, however -- a collection of Howlin' Wolf singles from 1956 to 1966 -- is full-blown electric, featuring a nice sampling of Wolf originals with a smattering of Willie Dixon tunes. Some of the man's best middle period work is aboard here; ...
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Kid Ramos
(1999)
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by
David "Kid" Ramos
With his second album (self-titled, as if it were his debut), Kid Ramos turns in a solid set of greasy roadhouse blues that hits harder than most contemporary blues albums from the '90s. Ramos not only knows how to select his material (all 15 songs are covers, but only "Three Hundred Pounds of Joy" is overly familiar) and can play all variations ...
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The Chess Box
(1991)
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by
Howlin' Wolf
This three-CD box set currently rates as the best -- and most digestible -- overview of Howlin' Wolf's career. Disc one starts with the Memphis sides that eventually brought him to the label, including hits like "How Many More Years," but also compiling unissued sides that had previously only been available on vinyl bootlegs of dubious origin and ...
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Blues It Up
(1990)
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by
Dana Gillespie
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Blues Amongst Friends
(2003)
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by
Deluxe Blues Band
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The Real Folk Blues/More Real Folk Blues
(2002)
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by
Howlin' Wolf
The Real Folk Blues series on Chess wasn't really folk, but titled that way, perhaps to gain the attention of young white listeners who had started to get turned on to the blues during the 1960s folk revival. And the Howlin' Wolf volumes in the series were not particularly more folk-oriented than his other Chess recordings, but more or less ...
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Anthology
(2007)
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by
Howlin' Wolf
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Live
(2005)
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by
The Missiles of October
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