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Soul Station

Soul Station (1960) more music like this

by Hank Mobley

Often overlooked, perhaps because he wasn't a great innovator in jazz but merely a stellar performer, tenor saxophonist Hank Mobley was at the peak of his powers on Soul Station. Recorded with a superstar quartet including Art Blakey on drums, Paul Chambers on bass, and Wynton Kelly on piano, it was the first album since Mobley's 1955 debut to ...

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Folk Music

Folk Music (2007) more music like this

by Deep Blue Organ Trio

The Deep Blue Organ Trio call their third album Folk Music -- and they're right; the rootsy, bluesy soul-jazz that they crank out on this CD is kind of a folk music in its way, a handed-down tradition that appeals to the man in the street as opposed to the pundits in the towers. They adhere 110 percent to the style that once was a fixture at inner ...

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The Minute Game

The Minute Game (2005) more music like this

by Scott Whitfield Jazz Orchestra West

An enthusiastic and skilled trombonist, arranger-composer and singer, Scott Whitfield can always be counted on to provide musical excitement. This big band album, utilizing some of his favorite West Coast players, has an emphasis on heated material with six of the ten songs being Whitfield originals. Hank Mobley's "This I Dig of You" features ...

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The Blue Note Years: The Best of Hank Mobley

The Blue Note Years: The Best of Hank Mobley (1996) more music like this

by Hank Mobley

Part of Blue Note's quality series of artist samplers, The Best of Hank Mobley surveys the great tenor saxophonist's prime stretch from 1955-1965. Originally overshadowed by the likes of Joe Henderson, Wayne Shorter, and, of course, Coltrane, Mobley nevertheless gained the respect of his peers, thanks to his richly fluid phrasing and smooth, ...

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Song for the New Man

Song for the New Man (2004) more music like this

by David "Fathead" Newman

At the age of 70, veteran tenor saxophonist David "Fathead" Newman is in prime form throughout this well-rounded set. He jams bebop on Charlie Parker's "Visa," shows off his large tone on the ballads "Time After Time" and "When I Fall in Love," romps on the boogaloo "Shakabu," pays tribute to his former boss Herbie Mann on "Passing Through," and ...

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One Man's Blues

One Man's Blues (2000) more music like this

by Glenn Wilson

Many people may have forgotten what a unique and durable baritone saxophonist Wilson has been over the past three decades, but this CD, one of scant few in his discography, should give all a prompt reminder. He has the innate ability to effectively mix rough and smooth, lyrical or overblown lines at will, his meaty sound all his own with little ...

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Live at the 1994 Floating Jazz Festival

Live at the 1994 Floating Jazz Festival (1994) more music like this

by Nat Adderley

Nat Adderley and his quintet (with altoist Vincent Herring, pianist Rob Bargad, bassist Walter Booker and drummer Jimmy Cobb) are heard on this double-CD in particularly fine form playing eight lengthy selections; all but "Mercy, Mercy, Mercy" are over nine minutes long. Herring often takes solo honors, the rhythm section (which includes two ...

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First Date

First Date (2003) more music like this

by Flutology

Over the years, bop has had its share of summit sessions -- that is, sessions in which three or four people are playing the same instrument. Prestige was big on summits in the '50s; back then, the label's A&R department seemed to be especially fond of tenor sax, alto sax, and trumpet summits. But flute summits have been a rarity in bop, which has ...

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Strollin'

Strollin' (1991) more music like this

by Charlie Shoemake with the Bill Holman Orchestra

A 1991 session with saxophonist Charlie Shoemake heading both guest stars and the Bill Holman Orchestra. It's textbook West Coast cool and swing, with Shoemake, pianist Billy Childs, saxophonist Pete Christlieb, and guitarist Ron Eschete, among others, taking solo honors. Ron Wynn, All Music Guide

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Tenor Conclave

Tenor Conclave (1997) more music like this

by Grand Central

The quintet Grand Central unveiled a new lineup with its second album, Tenor Conclave. Ravi Coltrane was still on tenor and soprano sax, and Cindy Blackman was still on drums, but saxman Antoine Roney, pianist Jacky Terrasson, and bassist Santi DeBriano had been replaced by pianist Billy Childs, bassist Dwayne Burno, and saxman Craig Handy (who, ...

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Deeply Rooted (1995) more music like this

by Mark Marino

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News for Lulu (1987) more music like this

by John Zorn

Avant-garde altoist John Zorn teams up with trombonist George Lewis and guitarist Bill Frisell to form a unique trio. Without the benefit of piano, bass, or drums, they interpret the hard bop compositions of Kenny Dorham, Hank Mobley, Sonny Clark, and Freddie Redd, generally not even the better-known ones. The performances are quite concise ...

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Current State (2003) more music like this

by Martin Jacobsen

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Live at Montpelier (2005) more music like this

by Ron Kearns

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Mood Was There (1997) more music like this

by Holly Slater

On The Mood Was There, recorded live at Ronnie Scott's in London, saxophonist Holly Slater tackles compositions from Thelonious Monk, Cedar Walton and Hank Mobley, as well as original material. Jason Ankeny, All Music Guide

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Tribute to the Masters (1995) more music like this

by Bobby Shew

Trumpeter Bobby Shew, a long underrated but talented bop-oriented trumpeter, helped to launch the new Double-Time label with this fine release. Shew teams up with saxophonist Jamey Aebersold (world renowned for his series of play-along instructional recordings) in a quintet with pianist Steve Schmidt, bassist Tyrone Wheeler and drummer Ed Soph for ...

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Images (1988) more music like this

by Ralph Moore

The particularly strong material and the all-star lineup (tenor saxophonist Ralph Moore, trumpeter Terence Blanchard, pianist Benny Green, bassist Peter Washington, and drummer Kenny Washington) make this a particularly enjoyable set from the tenorman. Although still displaying the inspiration (soundwise) of early-'60s John Coltrane, Moore had ...

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