The Very Best of Peter, Paul & Mary [Warner/Rhino] (2005) more music like this

by Peter, Paul & Mary

It speaks well for the continued viability of their catalog (probably second only to Bob Dylan's among '60s folk artists) that this is only the sixth compilation ever done on Peter, Paul & Mary's music in four decades of musical activity -- and since one of the others was a Readers' Digest mail-order release and two of the others were done for ...

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Carry It On [Bonus DVD] (2003) more music like this

by Peter, Paul and Mary

Peter, Paul & Mary's multi-decade career is for the most part well summarized, and certainly extremely well packaged, on this four-CD, 90-track box set. As with many such boxes, there's too much on here if you're not a devoted fan, and too much in particular from their post-early-'70s recordings, which take up all of disc four. But it does, of ...

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Amber Gatherers (2007) more music like this

by Alasdair Roberts

On 2005's No Earthly Man, Scottish singer/songwriter Alasdair Roberts offered up eight traditional ballads with minimal accompaniment. That he pulled it off without nailing the listeners eyes shut within the first two minutes is a testament to both his gift as an interpreter, and his reedy, yet impossibly fluid and melodious voice. On the Amber ...

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The Cowsills in Concert (1969) more music like this

by The Cowsills

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Before & After [Bonus Tracks] (2002) more music like this

by Chad & Jeremy

Chad & Jeremy's first Columbia album was similar to their previous material (recorded for Ember in the U.K. and licensed by World Artists in the U.S.) in its light British Invasion pop/rock style with folky overtones. There wasn't anything here quite on the level of their previous big hits, "Yesterday's Gone" and "A Summer Song," though the ...

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Music of the Civil War (1991) more music like this

by The American Brass Band

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Those Were the Days (2005) more music like this

by Dolly Parton

Ever since signing with Sugar Hill in 1999, Dolly Parton has been on a hot streak, putting out a steady stream of rootsy albums that found her creatively re-energized. It all started with the all-bluegrass Grass Is Blue, which won a Grammy in 2000, and she worked a similar territory on the subsequent Little Sparrow (2001) and started to branch out ...

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