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Tenor Madness
(1956)
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by
Sonny Rollins Quartet
At a time when he was a member of the legendary Clifford Brown/Max Roach sextet, Sonny Rollins was still the apple fallen not too far from the tree of Miles Davis. Tenor Madness was the recording that, once and for all, established Newk as one of the premier tenor saxophonists, an accolade that in retrospect, has continued through six full decades ...
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The Complete Prestige Recordings
(1949)
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by
Sonny Rollins
This seven-CD box set lives up to its title, reissuing in chronological order all of tenor saxophonist Sonny Rollins' recordings for Prestige. Dating mostly from 1951-1956, these valuable performances find Rollins developing from a promising player to a potential giant; many of his best recordings would take place a year or two after this program ...
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Verve Jazz Masters 59
(1953)
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by
Toots Thielemans
The remarkable jazz harmonica player Toots Thielemans has essentially had no competition ever since he decided to fully focus on that instrument, rather than the guitar, in the early 1950s. This sampler CD, Verve Jazz Masters 59 is, fortunately, programmed in chronological order, contains some rather rare tracks, and covers a wide period of time ...
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Tenor Madness [2006]
(2006)
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by
Sonny Rollins Quartet
At a time when he was a member of the legendary Clifford Brown/Max Roach sextet, Sonny Rollins was still the apple fallen not too far from the tree of Miles Davis. Tenor Madness was the recording that, once and for all, established Newk as one of the premier tenor saxophonists, an accolade that in retrospect, has continued through six full decades ...
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Swiss Nights, Vol. 1
(1975)
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by
Dexter Gordon Quartet
The first of three volumes taken from the 1975 Zurich Jazz Festival features tenor saxophonist Dexter Gordon (with his reliable sidemen pianist Kenny Drew, bassist Niels Pedersen and drummer Alex Riel) stretching out on "Tenor Madness," "Wave," "You've Changed" and "Days of Wine and Roses." All of the performances are at least ten minutes long and ...
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Nothing Smooth About It
(2004)
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The Mike Frost Project
Nothing Smooth About It is the debut recording of the Mike Frost Project for the Blujazz record label. While they can hardly be considered a "cover band," this label debut is a straight-ahead post-bop Hammond B-3 organ date that finds the Chicago-based group out to honor the traditions of jazz and its pioneers. The set opens with "Oleo," a classic ...
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G-Man
(1986)
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by
Sonny Rollins
The soundtrack to the performance film Saxophone Colossus features long Sonny Rollins tenor solos on "G-Man" and "Don't Stop the Carnival" and a briefer one during "Kim." Joined by his usual quintet of the era (trombonist Clifton Anderson, pianist Mark Soskin, electric bassist Bob Cranshaw and drummer Marvin "Smitty" Smith), Rollins is in good ...
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Sax Symbol
(2007)
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by
Sonny Rollins
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Prestige Profiles, Vol. 3
(2005)
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by
Sonny Rollins
Prestige Profiles, Vol. 3 highlights recordings made in the 1950s by tenor saxophonist Sonny Rollins for the legendary jazz label. Although the majority of these ten tracks are standards, including "More Than You Know," "On a Slow Boat to China," and "It's All Right with Me," they emphasize Rollins' ability to make every performance his own, no ...
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Fresh from Cooler
(2006)
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by
Frank Hewitt
The music within this CD -- the fourth posthumous release featuring pianist Frank Hewitt -- was actually part of Hewitt's very first session, a trio date recorded at Smalls without an audience. A solid bop stylist, he begins with a tantalizing, spacious arrangement of the infrequently heard ballad "I Waited for You," following it with a rollicking ...
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Swiss Nights, Vol. 3
(1975)
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by
Dexter Gordon
The third of three CDs taken from tenor saxophonist Dexter Gordon's appearances at the 1975 Zurich Jazz Festival has more variety than the other two. There are previously unissued versions of "Tenor Madness" and "Days of Wine and Roses" (the latter has a guest appearance by trumpeter Joe Newman), tender ballad renditions of "Didn't We" and ...
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Jazz Showcase
(1953)
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by
Sonny Rollins
Here Jazz Showcase focuses tightly upon the mid-'50s recordings that thrust Sonny Rollins firmly into the spotlight, gathering seven tracks from Prestige, two from Contemporary, and one from Riverside. For those interested in samples of Rollins' most famous albums, the CD contains one track from Way Out West and a selection from Plus Four (with ...
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The Battle of the Tenors
(1998)
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by
Eddie Harris & Wendell Harrison
Eddie Harris rarely recorded beside other solo tenors, so this live gig at the 1994 Montreux Detroit Jazz Festival, made two years before Harris' death, promises to be both an unusual document and an object lesson on just how different Harris was from every other tenorman on the planet. As in "Swiss Movement," Harris grafted himself onto a working ...
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Yamanashi Blues
(1994)
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by
California Guitar Trio
For lovers of superb instrumental music, the debut by the California Guitar Trio, Yamanashi Blues, is one of the best of the '90s. Recorded strictly on amplified acoustic guitars (supplied by Bert Lams, Hideyo Moriya, and Paul Richards), the band touches upon a wide variety of musical genres, as they cover easily identifiable classical, surf, pop, ...
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Cut It Out
(1998)
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by
Frank Catalano
Just 19 years old at the time of this recording, Catalano has talent to burn and chops to match. He takes liberties at times with overblown squawks, but is mainly a grounded be-bopper with a full tone on tenor sax. The fine pianist Willie Pickens, bassist Brian Sandstrom, and drummers Robert Shy or Rusty Jones help out. Ira Sullivan guests on two ...
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Early Trane
(2008)
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by
John Coltrane
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St. Thomas
(2007)
by
Sonny Rollins
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Jamey Aebersold Jazz: Sonny Rollins
(2000)
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by
Various Artists
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Out of Nowhere
(1991)
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by
Massimo Urbani
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Jam Session, Vol. 13
(2005)
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by
Various Artists
Producer Nils Winther's ambitious series of jam sessions follows in the footsteps of the legendary Norman Granz, though Winther's affairs tend to be less showy and more focused on co-operation, even though the solos are first rate. Three alto saxophonists, Dick Oatts, Jon Gordon, and Billy Drewes, who have likely played together in various ...
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The Best of Sonny Rollins [Prestige]
(2004)
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by
Sonny Rollins
It's easy to look at the titles of a number of jazz musicians' albums from the 1950s and wonder to oneself: were these guys egotistical? Tenor Sonny Rollins, for instance, named one album Saxophone Colossus and another Tour de Force. While one might blush at the lack of modesty, it's still difficult to argue about the results. Rollins, as he ...
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Inside the Outer Kingdom
(1995)
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by
Bobby King
Considering the talent that he shows throughout this 1983 album (which was released for the first time in 1995), it is very surprising that tenor-saxophonist Bobby King is so obscure. Based in Los Angeles and a veteran of stints with Lionel Hampton, Stan Kenton, Maynard Ferguson, and Don Ellis, among others (and one who sat in with John Coltrane ...
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Capital Hill
(1989)
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by
Buck Hill
Buck Hill recorded three sets for SteepleChase during 1978-81, one for a smaller European label and then nothing until 1989. Unlike most of his earlier dates, this Muse CD is mostly comprised of standards (six out of eight songs) and puts the emphasis on the boppish side of the tenor's style, greatly assisted by pianist Barry Harris, bassist Ray ...
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Jam Session, Vol. 19
(2006)
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by
Various Artists
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Why Not
(2000)
by
Sean Sullivan
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