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One Man Band
(2007)
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James Taylor
Don't take the title of James Taylor's One Man Band literally -- this 2007 concert recording may be stripped-down but it's not just James and a guitar, he's supported by keyboardist Larry Goldings, whom Taylor dubs his "one-man band" in the liner notes, as that's all the backing band he has here. Fair enough. But this isn't just a question of ...
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James Taylor
(1968)
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James Taylor
James Taylor was the first artist to be signed to record on the Beatles' short-lived vanity Apple label. In late 1968, Taylor's sophisticated self-titled disc foreshadowed the introspective singer/songwriter genre that dominated pop music in the early and mid-'70s. Although often touted as his debut, this release is chronologically Taylor's second ...
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The Best of James Taylor [2003]
(2003)
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James Taylor
To compile a comprehensive one-disc best-of James Taylor album is a daunting task in and of itself. To compile it from material from three labels is a gutsy thing for David McLees and Warner Bros. to do and expect to make fans -- let alone pompous critics (no exception here) -- happy. Over 20 tracks, Warner has succeeded -- with full cooperation ...
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Greatest Hits
(1976)
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by
James Taylor
James Taylor had scored eight Top 40 hits by the fall of 1976 when Warner Brothers marked the end of his contract with this compilation. One of those hits, the Top Ten gold single "Mockingbird," a duet with his wife Carly Simon, was on Elektra Records, part of the Warner family of labels and presumably available, but it was left off. "Long Ago and ...
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The Circle Game
(1968)
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by
Tom Rush
A candid and charming collection of songs that glisten as beautifully as a clear mountain stream. Singer/songwriter/poet Tom Rush had a wonderful idea in mind for a concept album, working with music business greats Arthur Gorson and Paul Harris to blend the best of the time period's songwriters. The effort results in a splendid achievement of ...
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Live
(1993)
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by
James Taylor
"A live James Taylor album has been suggested, demanded and contemplated for many years," writes Taylor's manager/producer, Peter Asher, in this album's liner notes, and the reasons are not hard to find. For one thing, Taylor has been a successful concert attraction for more than 20 years. For another, an artist who has scored in excess of 30 ...
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Soft Rock [Brentwood]
(2003)
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by
Various Artists
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Classic Songs
(1990)
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by
James Taylor
For a long time, Classic Songs was the only compilation to feature the original versions of all of James Taylor's classics from his debut up through 1985's That's Why I'm Here. Unfortunately, it was only available in Europe, yet it long remained the best, most comprehensive collection of his work. Chris Woodstra, All Music Guide
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Classic Rush
(1970)
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by
Tom Rush
Compiled from his time on Elektra, Classic Rush is just that. A great place to start out for those who haven't heard Tom Rush and a great disc for Rush completists; everything here is a must. James Chrispell, All Music Guide
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This Is a Bird
(2008)
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by
Alison Ruble
Alison Ruble is a sublime vocalist with an adventurous spirit on her debut CD. Gifted with a rich alto and precise articulation, she blends elements of pop and folk into her infectious arrangement of Cole Porter's "So in Love," while her sublime, deliberate and funky setting of "If I Had You" casts another chestnut in very new light. Guitarist ...
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Basso Profundo: Solos and More
(2005)
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by
Jon Hamar
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Second Spring/Matthews Southern Comfort
(1996)
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by
Ian Matthews Southern Comfort
Matthews Southern Comfort is a transitional album for Matthews. Having recently exited Fairport Convention, this record pays tribute to that period of his career in both material ("A Castle Far") and in the choice of musicians who back him (many of them from Fairport Convention). At the same time, songs like "A Commercial Proposition" indicate ...
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Second Spring
(1969)
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by
Matthews' Southern Comfort
With this album, Matthews' Southern Comfort is a real band and, in addition to Matthews, also includes Roger Swallow (ex-Marmalade) and Marc Griffiths (ex-Spooky Tooth). Though there is really nothing that makes this a memorable record, it's still quite a nice record overall. If you already know his work on Elektra, Mooncrest, or even Later That ...
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Scion
(1995)
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by
Matthews' Southern Comfort
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