Your search: Music » Song title: Since I Fell for You
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Double Vision
(1986)
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Bob James/David Sanborn
This combination works quite well. Poppish keyboardist/arranger Bob James joins with electric bassist Marcus Miller, drummer Steve Gadd, guitarist Paul Jackson, percussionist Paulinho da Costa, and (on two songs) guitarist Eric Gale to accompany the distinctive and always soulful altoist David Sanborn. Sanborn caresses the strong melodies, mostly ...
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Rhythm Country and Blues
(1994)
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Various Artists
An interesting collection of duets between country and soul artists, Rhythm Country & Blues works better in theory than in practice, despite a couple of fine tracks. All Music Guide, All Music Guide
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Timeless: The Classics
(1992)
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Michael Bolton
It's hard to resist the notion that Michael Bolton, who took considerable flak in the press for storming the charts with copycat reproductions of '60s soul hits -- "(Sittin' On) The Dock Of The Bay," "Georgia On My Mind," "When A Man Loves A Woman" -- felt "suddenly compelled," as he put it here in a sleeve note, to devote an entire album to cover ...
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Since I Fell for You [Collectables]
(1963)
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Lenny Welch
A compilation of Lenny's early Cadence Records recordings with a slightly different track listing than his similarly titled 1963 album. Classified as easy listening, Welch's controlled but unbridled and passionate singing had an emotional edge not normally associated with the genre. A heart-drilling rendition of "Since I Fell for You" is an ...
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Before Me
(2006)
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Gladys Knight
At a time when most of her contemporaries are satisfied reliving their glory years to appreciative audiences in casinos and theaters, Gladys Knight continues her refusal to be pigeonholed as a soul singer. With 2000's At Last, she returned to the mainstream R&B circuit with a session of adult contemporary R&B that was equally accessible and ...
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The Essential Barbra Streisand
(2002)
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Barbra Streisand
Although Barbra Streisand has recorded for the same company, Columbia Records, throughout her career, her work has not been particularly well represented on compilations. Four single-disc best-ofs dot her discography, but the listener who wanted to do something as simple as purchase an album containing the original studio recordings of both her ...
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16 Biggest Hits
(1999)
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Charlie Rich
Charlie Rich reached the country charts 45 times between 1968 and 1981 with recordings released on six different labels, though 25 of them were on Epic Records. This compilation presents the 15 highest charting of the Epic singles, including some of Rich's most successful ones -- "The Most Beautiful Girl," "A Very Special Love Song," "Behind ...
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The Ultimate Rock & Roll Collection: The 60's
(2001)
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Various Artists
Though this album bills itself The Ultimate Rock 'N Roll Collection: The '60s, it's neither ultimate, nor even that rock & roll; with the possible exception of Tommy James & the Shondells' "Mony Mony," it's a solid and diverse collection of '60s pop. Spanning hits like the Supremes' "Stop! In the Name of Love," the Beach Boys' "Surfer Girl," and ...
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The Very Best of Nina Simone: Sugar in My Bowl 1967-1972
(1998)
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Nina Simone
Nina Simone recorded for RCA Records between 1967 and 1972. While she was in fine form during those years, she didn't make her best records there, and sounded particularly ill at ease whenever she did pop-rock covers, which was more often than she should. However, these songs are selling points for a certain audience, namely the audience RCA is ...
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The Best of Smooth Jazz, Vol. 2 [Warner]
(1998)
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by
Various Artists
The definition of smooth jazz has never been close to concrete, but this Warners collection stretches the boundaries with tracks by Fourplay, Michael McDonald, Take 6, and Randy Crawford in addition to regulars like David Sanborn, Bob James, Pat Metheny, and George Benson. All of the tracks do work well together, though, creating an easy-listening ...
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The In Crowd
(1965)
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Ramsey Lewis Trio
Ramsey Lewis staked his claim to fame with The In Crowd, the instrumental version of Dobie Gray's Top 40 hit. He also was one of the first soul-jazz icons of the mid-'60s, based on the strength of the sales of this recording, done over three days during a club date at the Bohemian Caverns in Washington, DC. Over the years, the biggest question ...
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Oh What a Night! The Great Ballads
(1998)
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The Dells
Oh, What a Night! The Great Ballads is a wonderful collection of 15 ballads the Dells recorded for Chess Records between 1967 and 1974. Among the songs included are the hits "Stay in My Corner," "Oh, What a Night!," "Always Together," "The Love We Had (Stays on My Mind)" and "Open Up My Heart," which is available for the first time on CD in its ...
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Greatest Hits
(1976)
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by
Charlie Rich
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Moonlighting
(1984)
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Original TV Soundtrack
Looking back through rose-tinted glasses, Moonlighting feels like the apex of the Reagan era, brandishing its self-congratulatory glamour, easygoing charm, self-satisfied humor and flowing wealth of style. Admittedly, the soundtrack can't capture all of the glory of the television show, which, after all, was blessed with sumptuous visuals, but it ...
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Nature Boy: The Standards Album
(2003)
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Aaron Neville
Aaron Neville's voice exists in that rarefied air occupied by only the most lyrical musicians, including Paul Desmond's alto saxophone and Miles Davis' muted trumpet. Sweet and throaty, reedy and always crying, it's capable of bewitching anyone within hailing distance -- including, in some cases, the singer himself. Nature Boy: The Standards Album ...
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Bonnie Raitt
(1971)
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Bonnie Raitt
The astounding thing about Bonnie Raitt's blues album isn't that it's the work of a preternaturally gifted blues woman, it's that Raitt doesn't choose to stick to the blues. She's decided to blend her love of classic folk blues with folk music, including new folk-rock tunes, along with a slight R&B, New Orleans, and jazz bent and a mellow ...
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A Vintage Year
(1987)
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by
Mel Tormé and George Shearing
Singer Mel Tormé and pianist George Shearing make a perfect team, bringing out the best in each other. With the assistance of bassist John Leitham and drummer Donny Osborne, the swinging, witty duo performs a variety of standards, including Noël Coward's "Someday I'll Find You," "The Way You Look Tonight," and "Anyone Can Whistle," and a couple of ...
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Goin' Back to New Orleans
(1992)
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Dr. John
Having cut an album of standards on his first Warner Brothers album, In a Sentimental Mood (1989), Dr. John turned for its follow-up to a collection of New Orleans standards. On an album he described in the liner notes as "a little history of New Orleans music," Dr. John returned to his hometown and set up shop at local Ultrasonic Studios, ...
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Collections [Stereo/Mono]
(2007)
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The Young Rascals
The garage rock feel has been banished almost entirely from the group's second album, whose release followed a pair of disappointing singles ("What Is the Reason" and "Come On Up"). It also includes their first misjudgment on an album, Gene Cornish's too quiet, too introspective, and way-too-languid "No Love to Give," amid an otherwise wonderfully ...
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Gate Swings
(1997)
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by
Clarence Gatemouth Brown
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Jazz Impressions of Black Orpheus
(1962)
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by
Vince Guaraldi
Here is Vince Guaraldi's breakthrough album -- musically, commercially, in every which way. After numerous records as a leader or sideman, for the first time a recognizable Guaraldi piano style emerges, with whimsical phrasing all his own, a madly swinging right hand and occasional boogie-influenced left hand, and a distinctive, throat-catching, ...
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Since I Fell for You
(2004)
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by
Eydie Gorme
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'Round Midnight
(1998)
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Kenny Burrell
This is a typically tasteful Kenny Burrell record (reissued on CD) with the guitarist mostly emphasizing ballads. Five of the seven songs (which include "Make Someone Happy," "Since I Fell for You" and the theme from "A Streetcar Named Desire") find Burrell assisted by pianist Richard Wyands (who also played electric piano), bassist Reggie Johnson ...
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Psycho-Sonic
(1993)
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Sonics
Everyone would agree that the Sonics reached their peak on their 1964-65 recordings for Etiquette. This 29-track compilation has everything they recorded for the label, extended not just to everything from their singles and two albums, but also with an alternate take of "The Witch" and live recordings of "Psycho" and "The Witch." Consequently, it ...
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Candy
(1957)
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by
Lee Morgan
Recorded when he was only 19, Candy was one of the first albums (along with The Cooker, recorded the same year) where Lee Morgan showed his own unique style. His prodigal technical virtuosity had already been proven at this time in the Dizzy Gilliespie band, but Morgan's first solo ventures had been remarkable only because of his young age. Here, ...
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