Your search: Music » Song title: Should I Wait
(12 matching music titles)
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Serious
(1987)
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Luther Allison
Serious marks the beginning of Luther Allison's late-'80s/early-'90s hot streak. The more streamlined, rock-oriented approach actually is a benefit, since it gives Allison a shot of energy that makes his guitar simply burn all the way through the record. Thom Owens, All Music Guide
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Live on Sunset Strip [CD/DVD]
(2007)
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by
The Raspberries
The Raspberries' history was a study in joy mixed with frustration -- a well-nigh perfect power pop band that, through a combination of bad timing, record label lethargy, and personnel and personality conflicts, never quite lived up to its commercial promise, leaving behind three great albums and a fourth that was not as good, for a total of about ...
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Blue Streak
(1995)
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Luther Allison
A follow-up to his previous Soul Fixin' Man (which uses the same personnel and may be from the same sessions), bluesman guitarist/singer Luther Allison is in top form throughout this well-rounded set. Allison wrote (or co-wrote with guitarist James Solberg) all but one of the dozen songs, and these range from heated blues struts to blues ballads. ...
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Blind Pig Records: 20th Anniversary Collection
(1997)
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by
Various Artists
San Francisco's Blind Pig Records celebrates their 20th anniversary with this two-disc, 36-track collection featuring over two hours' worth of highlights from their many releases with a few unreleased bonus tracks to spice up the mix. Originally started as a sideline to a blues club in Ann Arbor, MI, with an ear toward documenting the local scene ...
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I'll Buy You a Star
(1961)
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by
Johnny Mathis
The voice of Johnny Mathis is always distinctive and compelling but when blended with Nelson Riddle, whose magic made recordings by Ella Fitzgerald, Frank Sinatra, Judy Garland, and so many others even more special, the results are extraordinary. I'll Buy You a Star puts Mathis' voice in a beautiful setting, something Linda Ronstadt would emulate ...
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Live on Sunset Strip
(2007)
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by
The Raspberries
The Raspberries' history was a study in joy mixed with frustration -- a well-nigh perfect power pop band that, through a combination of bad timing, record label lethargy, and personnel and personality conflicts, never quite lived up to its commercial promise, leaving behind three great albums and a fourth that was not as good, for a total of about ...
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The Very Best of the Raspberries: Overnight Sensation
(2002)
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The Raspberries
Several Raspberries best-of collections preceded the release of this one in 2002. It's something of a toss-up as to whether it or the best previous one, Capitol Collectors Series, should be given the nod. Each has 20 tracks and there's much duplication, though six of the songs on The Very Best of the Raspberries don't appear on Capitol Collectors ...
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A Portrait of Johnny
(1961)
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by
Johnny Mathis
Singer John Royce Mathis followed his classic Nelson Riddle album, I'll Buy You a Star, released on Columbia in 1961, with this interesting collection, A Portrait of Johnny, which was also issued by Columbia and then re-released on the imprint's "limited edition" label with "reissued by popular demand" noted on the right corner of the front cover. ...
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Power Pop, Vol. 2
(1996)
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by
The Raspberries
Featuring the hit singles "Tonight," "I'm a Rocker" and "Overnight Sensation (Hit Record)," Power Pop, Vol. 2 combines the Raspberries' last two albums -- Side Three and Starting Over -- on one compact disc. Stephen Thomas Erlewine, All Music Guide
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Side 3
(1973)
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by
The Raspberries
While on their first two albums the Raspberries sounded like a great pop band that wasn't afraid to rock out, with 1973's Side 3 they began to flip the script and came on like a powerhouse rock band that also had a way with a hooky melody, and the group had the talent and confidence to play it both ways. The king-sized guitar figure Wally Bryson ...
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Don't Walk Away
(1982)
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by
Sweet Pea Atkinson
For all intents and purposes, this is a Was (Not Was) record: It features the band's lead singer, much of the material was written by Don and David Was (who also produced), and the tracks are played by "the Was (Not Was) Orchestra." Tracks like "Dance or Die" are typical of Was (Not Was)'s approach of ironic lyrics and dancefloor beats. Sweet Pea ...
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Chinese Method
(1979)
by
Roy Sundholm
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