Where? (1961) more music like this

by Ron Carter With Eric Dolphy and Mal Waldron

This 1961 set has appeared under Eric Dolphy's name, but it is, in fact, bassist Ron Carter's date -- his first as a leader. Carter and Dolphy had played together in Chico Hamilton's group and on Dolphy's important 1960 date Out There. Where? has elements in common with both, but is closer to Hamilton's late-'50s chamber jazz than to the more ...

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Arrival (1973) more music like this

by Horace Parlan

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Brooklyn Bebop (2000) more music like this

by Cecil Payne

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Saga (1995) more music like this

by Randy Weston

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Mosaic Select: Randy Weston (2003) more music like this

by Randy Weston

The three CDs that make up the Randy Weston Mosaic Select package comprise the complete sessions from six different albums, one of which was previously unreleased. Weston has had a long and varied career, and one that has established him in the consummate realm of piano soloists with his idiosyncratic, inclusive style. His deep jazz roots were ...

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Blues in Bebop (1998) more music like this

by Kenny Dorham

Kenny Dorham was a solid and forward-thinking modernist when he emerged in the mid-to-late 1940s. The trumpeter was overshadowed throughout his career by the likes of Dizzy Gillespie, Miles Davis, Clifford Brown, Lee Morgan and Freddie Hubbard, and became the epitome of the word "underrated." Dorham never recorded as a leader for Savoy other than ...

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The Complete Prestige Recordings (1960) more music like this

by Eric Dolphy

During his 19 months with Prestige, Eric Dolphy recorded 13 sessions as a leader and sideman. All are included in this massive nine-CD set and, even when absorbed in two or three sittings, there is enough variety to hold on to any true jazz fan's attention. Dolphy, whether on alto, bass clarinet, flute, and even on a couple of occasions clarinet, ...

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Piano a La Mode (1957) more music like this

by Randy Weston

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Jazz for a Coffee Break (2005) more music like this

by Various Artists

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1956-1962 Sessions (2008) more music like this

by Cecil Payne/Duke Jordan

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