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Down from the Mountain: O Brother, Where Art Thou?
(2001)
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by
Various Artists
Recorded at Nashville's historic Ryman Theater as a sort of a musical wrap party for the Coen Brothers' 2000 film O Brother Where Art Thou, this album offers live versions of several of the traditional American folk songs featured in the film, with a few additions along the same vein. Sounding almost like an all-traditional country episode of "A ...
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The Texas Fiddle Collection
(1981)
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by
Johnny Gimble
Texas Fiddle Collection was recorded in the mid-'70s and features former Texas Playboys fiddler extraordinaire Johnny Gimble. These 28 tunes are timeless in both style and execution, especially with a band consisting of the finest caliber western swing musicians including former Texas Playboys guitarist Eldon Shamblin and, from the Texas Wanderers ...
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Traditional Fiddle Music of the Ozarks, Vol. 1: Along the Eastern Cresent
(1999)
by
Various Artists
This compilation features such fine fiddlers as Gene Goforth, Howe Teague and Violet Hansley. The recording is excellent and the performances show the beauty and life of this regions approach to old time music. Tim Sheridan, All Music Guide
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I'm a Man of Constant Sorrow
(2002)
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by
Various Artists
Though it was obviously released simply to capitalize on the resurgence of interest in old-timey music occasioned by the success of O Brother, Where Art Thou?, the 20-track collection I'm a Man of Constant Sorrow is an amazing, practically faultless compilation. Virtually every song here is a classic, whether for fans of old-timey, country, early ...
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Live!!! Almost!!!
(1964)
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by
The Dillards
In the early 1960s, the Dillards were one of the first bluegrass acts to try to move the music out of the traditional confines of its Southern roots and into something closer to the mainstream, and Live!!! Almost!!!, recorded at an L.A. nightclub in 1964, plays like a clever and quite successful attempt to introduce bluegrass to the upscale folk ...
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Sugar Man [#2]
(1999)
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by
Cootie Stark
A second generation Piedmont bluesman who learned his trade busking on South Carolina street corners in the 1930s, Cootie Stark didn't record until he was in his seventies, but age hasn't prevented him from having an obvious good time on Sugar Man, his debut release. Stark is more percussive and abrasive a guitar player than the traditional ...
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Pickin' on Diamond Rio: A Bluegrass Tribute
(2004)
by
Various Artists
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21 Golden Hits
(1989)
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by
Bob Wills
It contains "Beaumont Rag," "Faded Love, " "Buffalo Twist, " and "All Night Long, " among others. All Music Guide, All Music Guide
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Got No Bread, No Milk, No Money, But We Sure Got A Lot of Love [Bonus Disc]
(2006)
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by
James Talley
While James Talley probably never qualified as an Outlaw in the mid-'70s, his rootsy country sound was closer to Willie Nelson and Waylon Jennings than say Larry Gatlin. Even then, Talley was never an easy artist to pigeonhole, and it's hard to imagine an artist as idiosyncratic recording for Capital today. Got No Bread, No Milk, No Money, But We ...
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Homerica the Beautiful
(1999)
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by
Homer Erotic
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Echoes of the Ozarks, Vol. 1
(1995)
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by
Various Artists
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Longhorn Recordings
(1993)
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by
Bob Wills
These mid-'60s Dallas sessions feature Wills in both large band and small rootsy combo settings. Dan Cooper, All Music Guide
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Yodel for a Fish
(1999)
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by
Wayne Potash
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O Brother
(2005)
by
Original Soundtrack
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Myrrh
(1972)
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by
Robin Williamson
When the Incredible String Band's long strange trip began to show signs of discontent in 1971, both Mike Heron and Robin Williamson took it upon themselves to exorcise their angels/demons in the studio. Heron went first, choosing a more rock-oriented direction with Smiling Men With Bad Reputations, followed by Williamson, who took the ISB's ...
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Bound to Go
(2008)
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by
Andrew Calhoun & Campground
On Bound To Go Andrew Calhoun delves into one of the American song bag's most inspirational niches, tunes that were composed in response to the history of slavery in the American south. There are spirituals with their thinly veiled messages of liberation, love songs and lullabies, work songs, prison songs, tunes that show an obvious African ...
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Got No Bread, No Milk, No Money, But We Sure Got a Lot of Love
(1975)
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by
James Talley
James Talley's 1975 debut for the Capitol label was perhaps unnoticed by the country music establishment, deemed not sophisticated enough and too inside the hillbilly tradition for the outlaws; nonetheless, it is an unqualified artistic achievement. Featuring 12 of his own songs, this album of Talley's music comes from the rural country blues and ...
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