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Fur
(1988)
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by
Jane Wiedlin
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A State of Trance 2007
(2007)
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by
Armin van Buuren
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Fly Me Courageous
(1991)
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Drivin' N' Cryin'
The fourth studio release from the Atlanta-based trio Drivin' N' Cryin' found the band managing to make inroads onto the national scene following years of being a major attraction in the South. Building on a base of Southern-styled rock, they infuse 11 tracks on Fly Me Courageous with elements of R.E.M.-like jangle folk and more muscular, hard ...
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Rhapsody in Ragtime
(2007)
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by
Richard Dowling
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At the Speed of Light
(1997)
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by
Stillsuit
Except for Quicksand's masterpiece Slip, there might not be a finer example of progressive hardcore than Stillsuit's At the Speed of Light. After achieving underground success with their debut EP Green Spock Ears, the New York quartet signed with fledgling TVT imprint Building Records -- run by famed hardcore producer Don Fury (Helmet, Orange 9mm) ...
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Rush Hour [Original Soundtrack]
(1998)
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Original Soundtrack
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Yellowjackets
(1981)
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Yellowjackets
The Yellowjackets made a splash with their first record, an accessible mixture of jazz, rock, and funk bearing the unmistakable mark of the L.A. session scene that spawned them. In fact, the Yellowjackets had their roots in the sessions for Robben Ford's 1979 album The Inside Story. Russell Ferrante, Jimmy Haslip, and Ricky Lawson all appeared on ...
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Life on Other Planets
(2002)
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Supergrass
Supergrass makes music so effervescent and so effortlessly joyous that it's easy to take them and their skills for granted. Surely that was the case around the release of their third album, 1999's eponymous effort, which in its labored fun and weary ballads illustrated just how much hard work it was to craft records as brilliant as I Should Coco ...
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Supergrass Is 10: The Best of 1994-2004
(2004)
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Supergrass
Since they had a lower profile than their peers and came across as a bunch of mates instead of serious musicians, Supergrass tended to be the most overlooked of all the major Britpop bands. They never defined the culture like Oasis or Blur, never had a following of serious-minded, clever misfits like Pulp, they weren't as sexy as Elastica, and ...
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Lucky Seven
(1979)
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by
Bob James
Successful fusion album by a superstar in the genre. James made an art form of short solos, pop-tinged instrumentals, multi-tracked vocals by guest stars, and unchallenging tracks. This album utilized all those elements. Ron Wynn, All Music Guide
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The Kinks Present a Soap Opera [Velvel Bonus Tracks]
(2005)
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The Kinks
If there ever was a testament to Ray Davies' stubbornness and ornery perversity, it's Soap Opera. Released after the draining, two-part, hopelessly muddled rock opera Preservation, Soap Opera is the grandest concept album the Kinks ever made. Davies' tackled a topic that seemed manageable compared to Preservation -- how "Ordinary People" escape ...
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Ani DiFranco
(1989)
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Ani DiFranco
"I am a work in progress," appropriately announces Ani DiFranco on her debut album. Though her lyrics have the rambling style of free-form poetry and she sounds like she learned her spare, percussive style of guitar playing by listening to Suzanne Vega albums, she defines a distinct persona, that of a self-possessed, assertive woman in a tough, ...
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Sweet Surrender
(2007)
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by
Chieli Minucci
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Original One Hit Wonders
(2006)
by
Various Artists
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After Hours
(1998)
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by
George Duke
After years of producing albums which were more pop/funk than jazz oriented, George Duke simmers down, leaves off the R&B vocals, and takes a little creative license on the self-proclaimed "mood record" After Hours. While his recent Muir Woods Suite showed off his affinity for classical music, here he's at his best on the meditative Vince Guaraldi ...
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Coast to Coast
(1992)
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by
Steve Morse Band
Right from the opening of Coast to Coast, where Steve Morse's inimitable guitar threatens to overwhelm the listener with flat-picked arpeggios, the ex-Dixie Dregs guitarist/composer is all over this trio album. From classical guitar to guitar synth, this is a record made by one of the greats using all of the tools in his sizeable vocabulary to ...
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Rush Hour
(1994)
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by
Joe Lovano
This is one of the most exciting jazz releases of 1995. Joe Lovano is showcased on four songs backed by a string section, is accompanied by a stringless big band filled with woodwinds and brass during four other pieces, performs Ornette Coleman's "Kathline Gray" with a chamber group, takes two songs as duets with his wife Judi Silvano (who ...
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The Exciting Sounds of Martin Denny: Exotica/Exotica, Vol. 2
(1996)
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Martin Denny
The two Martin Denny albums that gave the exotica style its name and popularized its sound, originally released circa 1957, are here combined onto one compact disc. If you want more Denny after you're finished with Rhino's best-of, this should be the next stop. Only seven of the 24 tracks here duplicate the Rhino set, Denny wrote the extensive ...
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Psychedelic Lollipop/Electric Comic Book
(1999)
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by
Blues Magoos
In 1999, Collectables released Psychedelic Lollipop/Electric Comic Book, which contained two complete albums -- Psychedelic Lollipop (1966, originally released on Mercury) and Electric Comic Book (1967, originally released on Mercury) -- by the Blues Magoos on one compact disc. Jason Birchmeier, All Music Guide
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The Essential Live Drivin' N' Cryin'
(1999)
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Drivin' N' Cryin'
If AC/DC was from Georgia and listed Hank Williams as one of their influences, they would sound like Drivin' n' Cryin'. Kevn Kinney and company deliver the goods on their first attempt at the dead art form called the live album, The Essential Live Drivin' n' Cryin'. While most artists release a live record as an easy way to fulfill a contractual ...
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All or Nothing
(2004)
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by
Christopher Lawrence
Christopher Lawrence is a globetrotting house DJ whose singles and mix albums have achieved significant success in the U.K. and who is in constant demand as a touring artist and party DJ, but who, until this release, had yet to release an album of his own compositions. All or Nothing marks his debut as a purveyor of original trance music, and if ...
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El-O-Vee: A Sound Collage
(2006)
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by
Ta'Raach
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As We Speak
(1981)
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by
David Sanborn
It was about this time in his career that one sensed David Sanborn was getting a bit tired of the formula he was using on his records. However, his great popularity kept him from changing direction much. As usual, the highly influential altoist blows his heart out over a lot of funky rhythms on As We Speak, but surprisingly, he switches to his ...
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Yellowjackets [Bonus Tracks]
(2004)
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Yellowjackets
The Yellowjackets made a splash with their first record, an accessible mixture of jazz, rock, and funk bearing the unmistakable mark of the L.A. session scene that spawned them. In fact, the Yellowjackets had their roots in the sessions for Robben Ford's 1979 album, The Inside Story. Russell Ferrante, Jimmy Haslip, and Ricky Lawson all appeared on ...
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New England Teen Scene: The Next Generation
(1994)
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by
Various Artists
New England garage revivalism from 1978 to 1992, much originally released on various out-of-the-way indie 45s and compilations, often featuring Arf! Arf! head Erik Lindgren on keyboards or vocals. It's energic, good-hearted, and largely faithful to the fuzz, Farfisa, and raunchy vocal formula. Everyone sounds like they're having a lot of fun, but ...
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