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Modern Times
(2006)
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Bob Dylan
When Bob Dylan dropped Time Out of Mind in 1997, it was a rollicking rockabilly and blues record, full of sad songs about mortality, disappointment, and dissolution. 2001 brought Love and Theft, which was also steeped in stomping blues and other folk forms. It was funny, celebratory in places and biting in others. Dylan has been busy since then: ...
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Devil Without a Cause
(1998)
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Kid Rock
It's unlikely that even Kid Rock believed he had an album as good as Devil Without a Cause in him. Nobody else believed it, that's for sure. But he didn't just find the perfect extention of his Beastie and Diamond Dave infatuations here, he came up with the great hard rock album of the late '90s -- a fearlessly funny, bone-crunching record that ...
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All the Roadrunning
(2006)
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Mark Knopfler/Emmylou Harris
This lush and earthy collaboration between Mark Knopfler and Emmylou Harris may sound like it rose from an amiable weeklong studio session, but the 12 tracks that make up All the Roadrunning were actually recorded over the span of seven years. The boot-stomping "Red Staggerwing" and the gentle "Donkey Town," both of which were bumped from Knopfler ...
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Unplugged
(1992)
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Eric Clapton
Eric Clapton's Unplugged was responsible for making acoustic-based music, and Unplugged albums in particular, a hot trend in the early '90s. Clapton's concert was not only one of the finest Unplugged episodes, but was also some of the finest music he had recorded in years. Instead of the slick productions that tainted his '80s albums, the ...
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461 Ocean Boulevard
(1974)
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Eric Clapton
461 Ocean Boulevard is Eric Clapton's second studio solo album, arriving after his side project of Derek and the Dominos and a long struggle with heroin addiction. Although there are some new reggae influences, the album doesn't sound all that different from the rock, pop, blues, country, and R&B amalgam of Eric Clapton. However, 461 Ocean ...
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Horse of a Different Color
(2004)
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by
Big & Rich
Like many professional country musicians, the duo of Big & Rich -- Big being Kenny Alphin, while Rich is John Rich, a former singer for Lonestar -- are based in Nashville, but that doesn't mean they follow all the conventions of Music City. In fact, they throw conventions out the window on their 2004 debut album, Horse of a Different Color. They ...
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The Complete Recordings [Columbia #1]
(1990)
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by
Robert Johnson
A double-disc box set containing everything Robert Johnson ever recorded, The Complete Recordings is essential listening, but it is also slightly problematic. The problems aren't in the music itself, of course, which is stunning and the fidelity of the recordings is the best it ever has been or ever will be. Instead, it's in the track sequencing. ...
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10 Days Out (Blues from the Backroads)
(2007)
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by
Kenny Wayne Shepherd
10 Days Out may well be Kenny Wayne Shepherd's most important and intriguing album, even though the guitarist is hardly the featured artist on any of these tracks, working instead more as a sideman and facilitator for the impressive cast of venerable blues players who get a chance to shine here. Make no mistake about it, this recording belongs to ...
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The Ultimate Collection
(1997)
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by
The Temptations
With the exception of Stevie Wonder and Marvin Gaye, one would be hard pressed to name a Motown act who went through as many creative shifts as the Temptations. While Wonder's and Gaye's changes of direction were a product of their own creative rebellion against Berry Gordy's brilliant but often formulaic vision, the Temptations seemed to be the ...
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Live Bootleg
(1978)
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by
Aerosmith
Since Aerosmith had become one of America's premier rock & roll concert attractions by 1978, it was only natural that an in-concert collection was issued that year, the double album, Live Bootleg. Unlike other live albums at the time, it's obvious that not a lot of overdubbing was involved to fix up the tracks, which results in a refreshingly ...
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Fresh Cream
(1966)
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Cream
Fresh Cream represents so many different firsts, it's difficult to keep count. Cream, of course, was the first supergroup, but their first album not only gave birth to the power trio, it also was instrumental in the birth of heavy metal and the birth of jam rock. That's a lot of weight for one record and, like a lot of pioneering records, Fresh ...
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An Anthology
(1972)
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by
Duane Allman
Duane Allman's greatness was apparent on his recordings with the Allman Brothers, yet there was another side to the superb guitarist. For many years, he was a highly respected session musician, playing on cuts by Wilson Pickett, Aretha Franklin, King Curtis, Boz Scaggs, Delaney & Bonnie, and Clarence Carter, among others. By including those ...
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Get Your Wings
(1974)
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by
Aerosmith
Often overshadowed by the subsequent twin highlights of Toys in the Attic and Rocks, Aerosmith's 1974 second album, Get Your Wings, is where Aerosmith became Aerosmith -- it's where they teamed up with producer Jack Douglas, it's where they shed much of their influences and developed their own trademark sound, it's where they turned into ...
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Chocolate Starfish and the Hotdog Flavored Water
(2000)
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by
Limp Bizkit
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Homework
(1997)
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by
Daft Punk
Daft Punk's full-length debut is a funk-house hailstorm, giving real form to a style of straight-ahead dance music not attempted since the early fusion days of on-the-one funk and dance-party disco. Thick, rumbling bass, vocoders, choppy breaks and beats, and a certain brash naiveté permeate the record from start to finish, giving it the edge of ...
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Ladies & Gentlemen: The Best of George Michael
(1998)
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George Michael
When George Michael was riding high on the charts, only a handful of critics acknowledged that he was a brilliant mainstream pop singer/songwriter who, at his best, rivaled his idol Elton John in crafting state-of-the-art pop songs and productions. For nearly a full decade, he was a superstar in his native U.K. and the U.S., and even when Older ...
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Come on In
(1998)
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by
R.L. Burnside
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Performance: Rockin' the Fillmore
(1971)
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by
Humble Pie
Recorded while Peter Frampton was still in the band, Performance: Rockin' the Fillmore captures an early performance by Humble Pie where Steve Marriot's lyricism and ideas where balanced by Frampton's searing lead guitar. This is hardly as engaging as As Safe Yesterday Is, which had studiocraft along with songcraft, but as a document of a band at ...
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All Eyez on Me
(1996)
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by
2 Pac
Maybe it was his time in prison, or maybe it was simply his signing with Suge Knight's Death Row label. Whatever the case, 2Pac re-emerged hardened and hungry with All Eyez on Me, the first double-disc album of original material in hip-hop history. With all the controversy surrounding him, 2Pac seemingly wanted to throw down a monumental epic ...
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Gold
(2005)
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by
The Temptations
With an onslaught of greatest-hits compilations to their name, finding the ideal Temptations anthology can prove to be a daunting task for the die-hard fan as well as for those simply looking for the hits. Granted, there are several in print that are passable but by no means thorough surveys. And aside from the onslaught of midrange budget-line ...
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Double Up
(2007)
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by
R. Kelly
Like most of its predecessors, R. Kelly's eleventh album is stuffed to the gills, with 18-plus songs clocking in at 76 minutes (or longer, depending on which bonus track[s] your edition includes.) And if Double Up is, inevitably, far from flawless, the level of novelty and listenability Kelly manages to sustain for that duration is quite a feat. ...
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Fool's Gold
(1976)
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Fool's Gold
Starting out as Dan Fogelberg's backing band, Fool's Gold decided to strike out on their own with this eponymous disc. Full of high harmony and easy country-rock tunes, Fool's Gold will warm the hearts of anyone who is a fan of such bands as the Eagles or Poco. Highlights include "Rain, Oh Rain," "Rollin' Fields and Meadows," and a cover of ...
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Muddy Waters
(1996)
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by
Redman
Despite a heavy dose of Redman's eccentric humor, Dare Iz a Darkside often threatened to disappear in a haze of blunt smoke, so for his third album, he and producer Erick Sermon backed off the muddled sonics of Darkside and returned to the hard funk of his debut set. There isn't as blatant a P-Funk/Zapp influence on Muddy Waters; the beats are ...
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Thirty Years of Maximum R&B
(1994)
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by
The Who
This four-CD collection does include all of the Who's big hits and the lion's share of their key album tracks. Previously unreleased rarities include some interesting selections (the '60s outtakes "Early Morning Cold Taxi" and "Melancholia"), but these bits and pieces, which include some live versions, commercials, Keith Moon sketches, and the ...
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It Still Moves
(2003)
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My Morning Jacket
It's a beautiful thing to know that Brian Wilson is still alive and well in the kingdom of indie rock. My Morning Jacket's third full-length effort, and first for the ATO/RCA venture label, is a step beyond the band's work for Darla. While the gorgeous amalgam of the Band's vision of country/Americana and Neil Young's blend of folk and rock are ...
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