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Keeper of the Seven Keys, Pt. 2 [Deluxe Edition]
(2006)
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Helloween
Can you get a more bombastic opening than "Invitation" on Helloween's Keeper of the Seven Keys, Pt. 2 (in which victorious horns and marching drums signal Helloween's triumphant return)? Probably not, but that's exactly how the German metalists start off the follow-up to their cult hit predecessor, Keeper of the Seven Keys, Pt. 1. Having caught ...
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Somethin' Bout Love
(1999)
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by
Brian Culbertson
There is a strange but beautiful irony that occurs when an artist writes a great song upon the death of a loved one. Doubtful that Brian Culbertson was aiming for one of Somethin' Bout Love's (Atlantic) most emotionally rich tunes when he wrote the powerful gospel of "I'm Gonna Miss You" for his late manager Howard Lowe II, but he and co-writer ...
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Rocket
(1996)
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by
Primitive Radio Gods
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My Republic
(2006)
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by
Good Riddance
My Republic may be Good Riddance's seventh proper album to date, but instead of sounding tired and played out, it finds the band as fierce and commanding as it was at number one. With Sean Sellers back behind the drums after a seven-year absence, Good Riddance return to one of their oldest lineups -- rounded out by Russ Rankin, Chuck Platt, and ...
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Batman Returns
(1992)
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by
Original Soundtrack
Considering that Batman Returns is an expensive sequel to a blockbuster hit, you might be forgiven for expecting the music (and this album) to completely echo the first movie. Not so -- but then, the sequel hares off in quite a few new directions compared to the first movie. Some credit has been given Tim Burton's complete control over this movie. ...
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Psychedelic Sunrise
(2007)
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by
Chesterfield Kings
The Chesterfield Kings have been chasing the ghost of the Rolling Stones in one way or another since they released their first album in 1983 (in all fairness, they're also clearly obsessed with a few hundred other bands who made cool records between 1963 and 1967), so the group's belated embrace of psychedelia asks the question -- can the ...
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Rise and Fall
(2007)
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by
The Kin
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Stan Kenton Plays Chicago
(1974)
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by
Stan Kenton
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Of Joy & Sorrow
(2002)
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by
Denison Witmer
On his second full-length release, Denison Witmer again proves that he knows his way around the standard singer/songwriter song, wrapping nakedly confessional verse around light melodies and laid-back arrangements. As if he's spent the last few years mainlining James Taylor and Dan Fogelberg's cumulative '70s work, Witmer is an almost awkwardly ...
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Keeper of the Seven Keys, Pt. 2
(1988)
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by
Helloween
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Damaged
(2006)
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by
Lambchop
After the ambitious sweep of releasing two full albums on a single day in 2004 and creating a collaborative electronic EP with Hands Off Cuba while assembling a collection of singles and rarities in 2005, one can hardly blame Kurt Wagner and his partners in Lambchop for wanting to take on a less challenging project for the group's ninth album ...
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Link Wray
(1971)
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Link Wray
Link Wray was one of rock & roll's first bone fide guitar heroes, and his speaker-shredding buzzy chords were as distinctive a sound as anyone conjured up in rock's early years. So Link's old fans were thrown for a loop when, in 1971, the man made a comeback after several years along the margins with a self-titled album that set aside his big ...
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The Souther-Hillman-Furay Band
(1974)
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by
The Souther-Hillman-Furay Band
When David Geffen convinced Richie Furay, Chris Hillman, and J.D. Souther to join forces to form a country-rock supergroup, it seemed like an inspired suggestion. Crosby, Stills & Nash's folk-rock had scored big with a similar idea, while bands such as the Eagles, who recorded for Geffen's Asylum Records, had made some waves commercially in recent ...
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The Final Tour
(2004)
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by
The Shadows
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A Stone's Throw
(2006)
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by
Albert Castiglia
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50 Golden Greats
(2003)
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by
The Shadows
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Speechless
(2005)
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by
Bruce Cockburn
Speechless is proof in the pudding that you can teach an old dog new tricks. Old dog? Take a look at Bruce Cockburn's photo in the CD booklet. Speechless is the singer/songwriter's first foray into completely instrumental territory. There are 15 tracks here, the vast majority of which are redos of tracks from Cockburn's catalog. But given their ...
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Mostly Railroad Music
(1994)
by
Eldon Rathburn
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Wray's Three Track Shack
(2005)
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by
Link Wray
While most anyone who worships at the altar of rock guitar knows Link Wray as the gutbucket minimalist who gave birth to the definitive six-string snarl on such primal 1950s singles as "Rumble," "Rawhide," and "Ace of Spades," that's not all the man was capable of, and folks expecting the hard-edged roar of his best-known work may be a bit taken ...
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Step on It/Back on the Map
(1988)
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by
Slapshot
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Once Only Imagined [Bonus Disc]
(2007)
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by
Agonist
Much has been made of the uphill battle fought by women as they try to make some inroads into the overwhelmingly macho world of heavy metal, and the good news is that there are ever more female metal heads joining bands and leaving their mark on par with the boys. The bad news is that progress in this arena is still painfully slow (although, if ...
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Rom
(2006)
by
Rom
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Mugzy's Move
(1995)
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by
Royal Crown Revue
With their debut album Mugzy's Move, the Royal Crown Revue bring back the sound of pre-rock jump blues, playing a set of Louis Jordan-inspired originals and ocovers. Although the band is energetic and proficient, their cutesey originals and campy album art give their music an aura of being some sort of kitschy joke. Still, the band is talented ...
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Sound + Vision
(1989)
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by
David Bowie
Sound + Vision is a triple-disc box set designed to introduce Rykodisc's extensive reissue program of David Bowie's RCA albums. As a result, it has a number of idiosyncrasies that prevent it from becoming a definitive box set. Conceptually, the set was intended to showcase Rykodisc's remastering expertise, as well as the rarities lying in the ...
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The Story of I
(1976)
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by
Patrick Moraz
Former Yes and Moody Blues keyboardist Patrick Moraz mixes numerous Latin and rock rhythms together via his lively synth work, resulting in a full-flavored, energetic album. Not typical sounding to say the least, there are hints of funk and marimba, Caribbean and South American styles, and even flamenco, all guided by Moraz's whirlwind keyboard ...
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