Rejoicing (1983) more music like this

by Pat Metheny with Charlie Haden and Billy Higgins

Pat Metheny takes a vacation from his Group and performs advanced material with bassist Charlie Haden and drummer Billy Higgins. In addition to Horace Silver's "Lonely Woman," Haden's "Blues for Pat," and three Ornette Coleman tunes, the guitarist plays three of his originals here, including "The Calling," a lengthy exploration of sounds with his ...

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Time Out Trio (2007) more music like this

by Géraldine Laurent

For her debut recording, modern mainstream jazz alto saxophonist Géraldine Laurent uses a rhythm section with just bass and drums, which keeps her personal playing firmly in focus for the listener, but may also expose drawbacks. As such, those inherent shortcomings seem obvious, but the positives of her sound are also clear. She possesses a strong ...

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Tomorrow Is the Question! (1959) more music like this

by Ornette Coleman

On his second outing for the Contemporary label, Ornette dusted the piano from the bandstand and focused instead on a quartet. For some unexplained reason, Billy Higgins was replaced by Shelly Manne; the only constants remain Coleman and Don Cherry. The focus, then, is on the interplay between the altoist and trumpeter in executing Ornette's tunes ...

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Spy Vs. Spy: The Music of Ornette Coleman (1988) more music like this

by John Zorn

John Zorn teams up with fellow altoist Tim Berne, bassist Mark Dresser and both Joey Baron and Michael Vatcher on drums to perform 17 Ornette Coleman tunes which range chronologically from 1958's "Disguise" to four selections from 1987's In All Languages. The performances are concise with all but four songs being under three minutes and seven ...

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Enter the Fire (1998) more music like this

by Tim Garland

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Rejoicing (1994) more music like this

by Paul Bley

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Notes on Ornette (1998) more music like this

by Paul Bley/Jay Anderson/Jeff Hirshfield

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The Scenic Route (2007) more music like this

by Matt Wilson's Arts & Crafts

Factionalism has been terrible for the jazz world, which has been plagued with many divisive, ugly debates over the merits of bebop vs. Dixieland, hard bop vs. cool, hard bop vs. fusion, etc.; as one jazz promoter put it, jazz is a small enough market as it is without splitting it up into a bunch of warring factions. But gratefully, jazz has also ...

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Smokin' Sax (2008) more music like this

by Johnny Griffin

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