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Red Clay [Bonus Track]
(1970)
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by
Freddie Hubbard
This may be Freddie Hubbard's finest moment as a leader in that it embodies and utilizes all of his strengths as a composer, soloist, and frontman. On Red Clay, Hubbard combines hard bop's glorious blues-out past with the soulful innovations of mainstream jazz in the 1960s, and reads them through the chunky groove innovations of 1970s jazz fusion. ...
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This Is Jazz, Vol. 25
(1997)
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by
Freddie Hubbard
Freddie Hubbard's installment of Sony's This is Jazz series is devoted to his fusion records from the early '70s. While these recordings won't be of much interest to fans of his hard bop classics, Hubbard nevertheless skillfully navigated the funk grooves and soul vamps of fusion, creating music that truly grooved. This disc contains many of the ...
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Red Clay
(1970)
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by
Freddie Hubbard
This may be Freddie Hubbard's finest moment as a leader, in that it embodies and utilizes all of his strengths as a composer, soloist, and frontman. On Red Clay, Hubbard combines hard bop's glorious blues-out past with the soulful innovations of mainstream jazz in the 1960s, and reads them through the chunky groove innovations of 1970s jazz fusion ...
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Evidence
(1993)
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by
Cody Moffett
On his debut effort Evidence, Cody Moffett is supported by his brother Charnett Moffett, Ravi Coltrane, Kenny Drew, Jr., and brothers Antoine and Wallace Roney for run-throughs of mostly standards. While each of these players is accomplished, their abilities are, at times, covered up by Cody Moffett's over-drumming. Because of this, he sounds like ...
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Leaving This Planet
(1973)
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by
Charles Earland
A definite departure from the type of earthy, groove-oriented soul-jazz he usually embraced, Leaving This Planet is perhaps Charles Earland's most ambitous album -- not necessarily his best, but certainly his most surprising. Responding to the fusion revolution, Earland plays keyboards and various synthesizers in addition to his usual Hammond B-3 ...
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70's Jazz Pioneers: Live at the Town Hall, NYC
(1999)
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by
Various Artists
The '70s have been unfairly maligned by some of the more conservative jazz critics, but in truth, the '70s were a very creative decade for jazz. From the fusion of Return to Forever and Weather Report to the funk-jazz of Grover Washington, Jr. and the Crusaders and the modal explorations of McCoy Tyner and Joe Henderson, the '70s were banner years ...
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Freewheelin'
(2002)
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by
Various Artists
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Ace on Top
(1995)
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by
Blackjack
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Sense of Direction
(1995)
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by
Various Artists
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Around the Fire
(2000)
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by
Various Artists
This movie soundtrack features tracks from Red House Painters, Living Daylights, the Meters, Bob Marley and the Wailers, as well as a previously unavailable live cut from the Grateful Dead. MacKenzie Wilson, All Music Guide
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Keystone Bop, Vol. 2: Friday & Saturday Night
(1996)
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by
Freddie Hubbard
In 1981, legendary bebop trumpeter Freddie Hubbard got together with fellow elder statesmen Bobby Hutcherson and Joe Henderson and an energetic rhythm section to play a weekend of gigs at the Keystone Korner in San Francisco. The Sunday night performances can be heard on Keystone Bop: Sunday Night, and Prestige has released music from the Friday ...
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Live at the North Sea Jazz Festival
(1980)
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by
Freddie Hubbard
Trumpeter Freddie Hubbard's recording career was rather aimless by 1980 but, as shown by his playing on this live date, he was still in prime form. Hubbard and his quintet (which consisted of tenor-saxophonist David Schnitter, keyboardist Billy Childs, bassist Larry Klein and drummer Sinclair Lott) play extended versions of five of his ...
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Jazz Moods: Hot
(2004)
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by
Freddie Hubbard
Jazz Moods: Hot collects various tracks from trumpeter Freddie Hubbard's '70s CTI label recordings. These are stellar, funky, and forward-thinking cuts that, while highly regarded, are often overlooked in favor of Hubbard's '60s Blue Note recordings. While fans of '70s fusion will want to pick up the complete albums, this works as a solid ...
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Salsa City, Vol. 3
(1992)
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by
Shades of Jade
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The Best of Freddie Hubbard [Columbia]
(1970)
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by
Freddie Hubbard
Columbia's Best of Freddie Hubbard contains eight highlights from his soul-jazz, fusion and funk-jazz recordings for CTI Records, including "Lonely Town," "Betcha by Golly, Wow," "The Godfather," "Red Clay," and "Free as a Bird." It's not one of the best periods of Hubbard's career, but this gives a representative portrait of his time at CTI. ...
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Tempest in the Colosseum
(1977)
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V.S.O.P. the Quintet
Only five days after The Quintet concerts in California, V.S.O.P. was caught live again on tape in Tokyo's Den-En Colosseum for another Japanese CBS/Sony release. "Tempest" is a good description, for this CD contains more volatile ensemble playing than its Columbia predecessor; clearly some tighter bonding took place since the trans-Pacific flight ...
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Anthology: The Soul-Jazz Fusion Years 66-82
(2005)
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by
Freddie Hubbard
This collection on the U.K.'s Soul Brother imprint is a very compelling look at a big slice of Freddie Hubbard's long career as a leader, and one that gets ignored for the most part. Hubbard recorded over 20 records between Backlash, his Atlantic debut in 1966, and Ride Like the Wind for Elektra in 1982, with lengthy stops at Columbia and CTI (as ...
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Anthology
(2000)
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by
Charles Earland
This two-disc set from London's Soul Brother Records does a great job of consolidating Hammond B-3 player Charles Earland's early and late stylistic phases, picking key tracks from his Prestige and Muse soul-jazz period for the first disc and tracks from his later jazz-funk era with Mercury and Columbia for the second disc. Since fans of one style ...
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Scorcher
(1996)
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by
Ron Holloway
Tenor saxophonist Ron Holloway has a large tone slightly similar to Stanley Turrentine's and an adventurous style. He was a member of one of Dizzy Gillespie's last combos and, in the 1990s, led a series of dates for the Milestone label. This set is mostly straight-ahead jazz, often with funky rhythms, including the bebop standard "Hot House." ...
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Invitation
(2007)
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by
Bruce Eskovitz Jazz Orchestra
The ten-musician outfit that Bruce Eskovitz bills as the Bruce Eskovitz Jazz Orchestra on Invitation is an example of what Phil Woods would call a "little big band." In other words, the Bruce Eskovitz Jazz Orchestra is a medium-sized unit; ten is larger than a small group but is smaller than an actual big band or a full-fledged orchestra. Over the ...
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CTI Master Collection, Vol. 2
(2004)
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by
Various Artists
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