Your search: Music » Song title: Pay You Back With Interest [Clarke Hicks Nash]
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The Hollies' Greatest Hits [Bonus Track]
(2002)
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The Hollies
This compilation, whose release was sparked by the 1972 success of "Long Cool Woman in a Black Dress," the Hollies' most successful American single, contains 12 of their 14 biggest U.S. hits, 1964-1972, missing only "Jennifer Eccles" and "I Can't Let Go," for which it substitutes the slightly lower-charting, but perhaps more familiar "Dear Eloise" ...
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Greatest Hits [EMI]
(2003)
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The Hollies
The Hollies' Greatest Hits, released on EMI in 2003, has 47 songs spread over two discs. It covers the band's career from hitmaking beat group all the way up to a new song recorded expressly for this release. The one thing that has remained a constant in the group throughout is its incredible harmonies. Expect to be regularly blown away as you ...
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The Best of the Hollies, Vol. 2
(1983)
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The Hollies
CEMA Special Markets' The Best of the Hollies is a budget-priced collection of the British Invasion band's Imperial recordings. All of the group's first eight American hits -- "Just One Look," "Look Through Any Window," "Bus Stop," "Stop Stop Stop," "On a Carousel," "Pay You Back with Interest" and "Carrie-Anne" -- are here, along with "I Can't ...
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The Long Road Home: 1963-2003
(2003)
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The Hollies
This box is a difficult thing to recommend, good -- no, make that great -- though it is. Partly, that's because it's almost too much of a great thing for most Hollies fans -- if they don't mind paying $120 for the six-CD U.K. import set, but most listeners aren't capitalized that way. And it does have its shortcomings, despite its cost. In ...
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For Certain Because...
(1966)
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The Hollies
One gets the feeling that, as 1966 drew to a close amid an incredible acceleration of innovations in the pop and rock world, the Hollies felt the need to prove themselves capable of artistic growth despite having established a very winning formula. For Certain Because... was their first album entirely composed of original material, and it echoed ...
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On a Carousel, 1963-1974: The Ultimate Hollies
(2006)
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The Hollies
In the United States, the Hollies don't always get their due as one of the truly great acts of the British Invasion era, but while the Beatles, the Rolling Stones and the Kinks may have more hip cache, few bands consistently made better or more memorable singles, and this compilation proves the point with ease. Boasting 25 great tunes, On a ...
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At Abbey Road 1963-1966/At Abbey Road 1966-1970/At Abbey Road 1973-1989
(2000)
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The Hollies
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The Hollies' Greatest Hits
(1973)
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The Hollies
The Hollies' initial U.S. label, Imperial, was taken over by Capitol, which is owned by the Hollies' long-time British label EMI anyway, and Capitol released this budget-priced, 10-track compilation of their years at Imperial, 1964-1967. Included are their first five U.S. chart entries, including the Top 40 "Look Through Any Window" and the Top ...
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At Abbey Road 1966-1970
(1997)
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The Hollies
With a few exceptions, the song lineup on this 24-track CD sounds familiar, but that's a misconception. The remastering job has been done so well that precious little on this CD sounds familiar, and it's all good. This collection picks up right where its predecessor left off, presenting a string of Hollies hits, B-sides, and notable album tracks, ...
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The British Invasion: History of British Rock, Vol. 4
(1988)
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Various Artists
By 1966, the British Invasion had certainly begun to branch out from Merseybeat and British blues, encompassing psychedelia, sophisticated pop, folk-rock, music hall, R&B and hard rock. There are a couple of holdovers from 1965 on British Invasion: History of British Rock, Vol. 4, such as Gerry & the Pacemakers' "Ferry Cross the Mersey," but by ...
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Sing Hollies in Reverse
(1995)
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Various Artists
From the same folks who gave us the entertaining Melody Fair Bee Gees' tribute, Sing Hollies in Reverse sets its sights on one of the U.K.'s great (and often overlooked) pop craftsmen/harmonizers. The fact that the 21-track lineup represents the current cream of contemporary power-pop is no guarantee in itself of satisfying results. Fortunately, ...
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Centenary Collection: The Best of the Hollies
(2001)
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The Hollies
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Best of the Hollies [Collectables]
(2003)
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The Hollies
This 1993 (reissued in 2003) collection from Collectables is almost identical to The Best of the Hollies, Vol. 1, a 1988 EMI-Manhattan release. Like its predecessor, it sticks to a lean ten-song selection, including "Bus Stop," "On a Carousel," "Carrie Ann," "Pay You Back With Interest," and "I Can't Let Go." It's also quite similar content-wise ...
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Original Gold [2 Disc]
(2000)
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The Hollies
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Pop Era, Vol. 1
(1994)
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Various Artists
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Stop! Stop! Stop!
(1966)
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The Hollies
One gets the feeling that, as 1966 drew to a close amid an incredible acceleration of innovations in the pop and rock world, the Hollies felt the need to prove themselves capable of artistic growth despite having established a very winning formula. Stop! Stop! Stop! -- the U.S. release of a British album titled For Certain Because... -- was their ...
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Platinum [Capitol]
(2007)
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The Hollies
As part of EMI's Platinum Collection , the Hollies are featured on previously released tracks taken from the band's stint with Imperial and Epic in the mid-'60s and early '70s. Among the 11 tracks are the original versions of "Bus Stop," "On a Carousel," "Long Cool Woman (In a Black Dress)," and "He Ain't Heavy He's My Brother." The better buy is ...
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Pay You Back with Interest
(1982)
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The Hollies
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Box of Surprises
(1968)
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Dana Gillespie
Although Dana Gillespie is probably best known for her early-'70s spell among David Bowie's most visible cohorts, her own career dates back almost as far as Bowie's himself, with the pair even sharing a record label (Decca) and producer (Mike Vernon) during the late '60s. Whereas Bowie was more intent on aping Anthony Newley and the English music ...
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For Certain Because... [France Bonus Tracks]
(2005)
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The Hollies
The Hollies' fifth album, For Certain Because..., originally released in Great Britain in December 1966, has been issued in several variations in different territories, starting with the resequenced and retitled American version, Stop! Stop! Stop!, in 1967. In the CD era, there have been versions in the U.K. and Japan featuring both the stereo and ...
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