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Now Is the Hour

Now Is the Hour (1995) more music like this

by Charlie Haden Quartet West

Charlie Haden and his Quartet West continue to mine the "noir jazz" genre inspired by '40s films. Seldom does modern music so perfectly evoke a time and place in history as this terrific band. Fans of Haden's Liberation Music Orchestra will find the simple accessibility either surprising or disappointing, but fans of classic, romantic jazz will ...

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Subconscious-Lee [Original]

Subconscious-Lee [Original] (1949) more music like this

by Lee Konitz

The 1949 Prestige recordings contained on this album are some of the greatest jazz performances ever, period. One happy fact of this genre that sometimes makes record collecting seem like a neat hobby is that some records are gatherings of many important players from particular scenes. In this case, that means not only is there wonderful playing ...

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A Proper Introduction to Lee Konitz: Palo Alto

A Proper Introduction to Lee Konitz: Palo Alto (2004) more music like this

by Lee Konitz

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Parallels

Parallels (2001) more music like this

by Lee Konitz

The veteran alto saxman isn't doing gospel music anymore, but the staff at Chesky set Konitz and the other members of his quartet up in the perfect acoustic environment of St. Peter's Church in the Chelsea area of New York City. Sonics aside, this is a solid, though fairly laid-back date which displays the formidable ensemble and solo talents of ...

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Indian Summer

Indian Summer (2006) more music like this

by Lee Konitz

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Palo Alto

Palo Alto (1996) more music like this

by International Hashva Orchestra

Altoist Nat Su, who is from Cameroon, has a style strongly influenced by Lee Konitz, so it is logical that he would record a set of music in the genre of Konitz, Lennie Tristano, and Warne Marsh. Tenor saxophonist Mark Turner is close enough to Marsh in sound and style for this combination of musicians to work quite well. The quintet romps through ...

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One Day With Lee

One Day With Lee (2004) more music like this

by Lee Konitz

Lee Konitz has long been one of the most distinctive sounding alto saxophonists in jazz, with a cool yet dry tone. He guests with the Mark Masters Ensemble on this 2002 studio session, which concentrates on Masters' arrangements of his originals, many of which are based upon standards. The guest is the primary soloist, though each member of the ...

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Palo Alto: 1949-1960

Palo Alto: 1949-1960 (1998) more music like this

by Lee Konitz

Here is another curious Giants of Jazz collection, spanning time that alto saxophonist Lee Konitz spent playing with Lennie Tristano, Jim Hall, Bill Evans, and Warne Marsh, among others. Presumably these dates might be in relative chronological order, but there's no attribution. The Tristano cuts are obvious, and there are several standards, a ...

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Sound-Lee

Sound-Lee (2004) more music like this

by Lee Konitz

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