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Last of the Breed
(2007)
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Willie Nelson/Ray Price/Merle Haggard
The title Last of the Breed speaks with a defiance that, for the most part, the music on this album does not, and that's just as it should be -- while Willie Nelson, Merle Haggard, and Ray Price are indeed among the last functioning practitioners of pure, unadulterated Western swing, honky tonk, or countrypolitan blues in the classic manner, on ...
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We Thank Thee [1996 Import] [Bonus Tracks]
(1996)
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by
Jim Reeves
We Thank Thee is an inspirational album Jim Reeves released in 1962. Though it is pleasant -- Reeves' voice is in good shape and the country-pop productions sound nice -- nothing on the album particularly stands out, yet it is nice record for dedicated Reeves fans. The compact disc reissue includes four bonus tracks: "An Evening Prayer," "Treach ...
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Penguin
(1973)
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Fleetwood Mac
Fleetwood Mac's first album made after the departure of Danny Kirwan features the additions of guitarist Bob Weston and singer Dave Walker. By now Bob Welch and Christine McVie were the dominant forces in the band, and all traces of blues-rock were gone, replaced by Welch's hypnotic melodies and McVie's romantic sentiments married to up-tempo pop ...
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Night Watch
(1998)
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King Crimson
The Night Watch is a terrific live album capturing the third incarnation of King Crimson -- featuring Robert Fripp, John Wetton, Bill Bruford, and David Cross -- at the Amsterdam Covertgebouw on November 23, 1973. Some Crimson fans consider this lineup to be the most musically adept in the band's history, and the dense, yet dexterous, playing will ...
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Starless and Bible Black [30th Anniversary Edition]
(2005)
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King Crimson
Starless and Bible Black is even more powerful and daring than its predecessor, Larks' Tongues in Aspic, with jarring tempo shifts, explosive guitar riffs, and soaring, elegant, and delicate violin and Mellotron parts scattered throughout its 41 minutes, often all in the same songs. The album was on the outer fringes of accessible progressive rock ...
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The Collectable King Crimson, Vol. 1 [Discipline]
(2006)
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King Crimson
Out of all the many King Crimson line-ups over the years, one of the hardest rocking was undoubtedly one from the early '70s (comprised of Robert Fripp, John Wetton, Bill Bruford, and David Cross) -- especially when they hit the concert stage. And this is proven once again by the release of the 2006 double-disc set The Collectable King Crimson, ...
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The Great Deceiver, Vol. 1
(2007)
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by
King Crimson
It may not be in the same form but at the very least it is available again. In 1992, Robert Fripp, in association with Caroline Records, released The Great Deceiver (Live 1973-1974). It was a lavish four-CD box, packaged in a long box with an amazing book that exceeded all previous efforts to document their live offerings. In contrast, the ...
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The Great Deceiver, Vol. 2
(2007)
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by
King Crimson
It may not be in the same form but at the very least it is available again. In 1992, Robert Fripp, in association with Caroline Records, released The Great Deceiver (Live 1973-1974). It was a lavish four-CD box, packaged in a long box with an amazing book that exceeded all previous efforts to document their live offerings. In contrast, the ...
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Global Underground: Moscow
(2001)
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by
Deep Dish
Incredibly nocturnal and hypnotic, propelled from the beginning of the first set to the end of the second with gigantic basslines and murky vocal dubs, Deep Dish's debut mix for the long-running Global Underground series is absolutely enveloping. It submerses you with its weight and its darkness as well as its numbing sense of bliss. Where much of ...
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Logos Through a Sideman
(1975)
by
David Hayes
By the time he went into the studio to record, Logos Through a Sideman, David Hayes had already played bass, guitar, and synthesizer for top artists, so when it came to making a solo album he didn't need to prove that he was a virtuoso. What he did need to prove was that he had musical ideas of his own that these were worth committing to a CD. He ...
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Meet You at the Jazz Corner of the World [Complete]
(1960)
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by
Art Blakey & the Jazz Messengers
This set collects both installments of Art Blakey & the Jazz Messengers' Meet You at the Jazz Corner of the World (1961) in a comprehensive two-CD compendium, sporting thoroughly remastered sound by legendary jazz producer/engineer Rudy Van Gelder. Audio-conscious consumers should be aware of the distortion that somewhat marred the original vinyl, ...
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Home to the Sea
(1969)
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by
San Sebastian Strings
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Trompeta Toccata [RVG Edition]
(2006)
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by
Kenny Dorham
It seems strange and somewhat tragic that this was trumpeter Kenny Dorham's last full album as a leader; he was only 40 at the time and still in his prime. Dorham contributed three of the four selections to the session (Joe Henderson's catchy "Mamacita" also receives its debut), and his very underrated abilities as a writer, trumpeter, and talent ...
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Lay of the Land
(2004)
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by
Seachange
Seachange's debut album, Lay of the Land, introduces the band as both a quintessentially British group and an anomaly within the British music scene. Their moody anthems have more impact than the likes of British Sea Power, but more melody and beauty than bands such as Oceansize. Singer Dan Eastop has an attractive and distinctly British accent ...
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Starless and Bible Black
(1974)
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by
King Crimson
Starless and Bible Black is even more powerful and daring than its predecessor, Larks' Tongues in Aspic, with jarring tempo shifts, explosive guitar riffs, and soaring, elegant, and delicate violin and Mellotron parts scattered throughout its 41 minutes, often all in the same songs. The album was on the outer fringes of accessible progressive rock ...
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Trompeta Toccata
(1964)
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by
Kenny Dorham
It seems strange and somewhat tragic that this was trumpeter Kenny Dorham's last full album as a leader for he was only 40 at the time and still in his prime. Dorham contributed three of the four selections to the session (Joe Henderson's catchy "Mamacita" also receives its debut), and his very underrated abilities as a writer, trumpeter, and ...
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I Want to Live
(1958)
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by
Johnny Mandel
Paralleling Henry Mancini's own late-'50s, West Coast jazz noir backdrop to the detective TV series Peter Gunn, Johnny Mandel's I Want to Live soundtrack works both as high-end mood music and swinging jazz. And while straight jazz workouts like "San Diego Party" are fine, the most intriguing cuts are those that seamlessly combine jazz, Latin ...
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Moon, Wind and Stars
(1996)
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by
Morton Gould
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In the Eye of a Storm
(2003)
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by
Barbara Thompson
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Scavenger
(1990)
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by
The Walkabouts
Like its predecessors, Cataract refines the Walkabouts' sound even as the band's scope broadens--the further afield their fascination with music's backroads takes them, the more remarkably assured they grow. Jason Ankeny, All Music Guide
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Wild Man on the Loose
(1965)
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by
Mose Allison
The lion's share of recordings by this artist are in a piano trio setting, and this mid-'60s session finds him working with one of the best combinations he ever had. Bassist Earl May is a solid, inventive player who is beautifully recorded here with a sound that can have the soulfulness of a classical guitar at times. On drums, Paul Motian is ...
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The Great Deceiver (Live 1973-1974)
(1992)
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King Crimson
In King Crimson's extensive catalog of archival recordings and box sets, The Great Deceiver (Live 1973-1974) is the undisputed winner, the item truly worth acquiring. The four-CD set Frame by Frame, released 18 months earlier, was light on material previously unavailable and included a few edits and overdubs on classic King Crimson tracks that ...
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While the Eagle Sleeps
(1996)
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Alice Gomez/Madalyn Blanchett/Marilyn Rife
These lovely Native American- and Latino-inspired lullabies and night songs are as gentle as the smell of Pinon blossoms and mesquite. On While the Eagle Sleeps, composer Alice Gomez plays acoustic guitar, synthesizers, percussion, and chanting; Madalyn Blanchett plays recorders and the friendly clay ocarina; and Marilyn Rife plays percussion, ...
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Zoo Hypothesis
(2004)
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by
Tub Ring
There are few things sadder than a band that tries to be really weird and freaky but in fact isn't. (Yes, we're looking straight at you, Mr. Bungle, you lame Zappa fetishists.) Luckily, this is not a problem Chicago's Tub Ring ever runs up against; it's not that their fifth album doesn't have passages of extreme oddity, it's that they don't seem ...
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No Borderline
(1994)
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by
Copernicus
Copernicus's fifth album contains a variety of musical settings for his avant-garde, alternately visionary and direction-less poetic ramblings. The record's liner notes indicate whether music and lyrics were composed or improvised but there is often little difference sonically between the two approaches-a testament to Copernicus's mastery of ...
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