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Late Night Jazz [Rebound]
(1995)
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Various Artists
Rebound Records, not noted for its forays into jazz, has put together an entertaining compilation of cuts from the vaults of the Verve and Mercury labels. The roster of musicians reads like a who's who of jazz from the late '40s through the '60s. A variety of jazz styles are represented as well, from the Stan Getz/Joćo Gilberto/Astrud Gilberto ...
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50th Anniversary Collection
(2003)
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by
James Brown
James Brown's two-CD 40th Anniversary Collection gathered 40 of the soul-funk giant's biggest hits, and in keeping with its title, The 50th Anniversary Collection is just that little bit bigger and better, with (could you guess?) 50 of his most famous tracks. From 1956's "Please, Please, Please" to 1988's "Static, Pts. 1 & 2," it has almost all of ...
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Apollo 13
(1995)
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by
James Horner
The soundtrack to director Ron Howard's 1995 blockbuster Apollo 13 effectively blends dialogue, actual audio clips from newscasts, classic songs, and portions of conductor James Horner's original score, creating a worthy aural companion. Included are songs from the period of the titular spacecraft's peril-fraught mission, such as the Young Rascals ...
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Jimmy & Wes: The Dynamic Duo
(1966)
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Jimmy Smith and Wes Montgomery
Creed Taylor matched two of his most famous artists, Wes Montgomery and Jimmy Smith, on this session (Montgomery's last for Verve), and the results are incendiary -- a near-ideal meeting of yin and yang. Smith comes at your throat with his big attacks and blues runs while Montgomery responds with rounder, smoother octaves and single notes that ...
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Verve Jazz Masters 16
(1994)
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by
Oscar Peterson
Vol. 16 of the Verve Jazz Masters series features pianist Oscar Peterson, who recorded prolifically for them from his start in the early '50s up to the early '70s. A single CD could never do Peterson justice, but this one, featuring 15 solid tracks, is evenly balanced between trio and guitar-accented small ensembles, with three big-band tracks ...
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Star Time
(1991)
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by
James Brown
When the four-disc Star Time box was released in 1991, James Brown's catalog sorely needed an overhaul; much of it was out of print, and what was available was hardly befitting of his magnitude. Star Time got everything right: it put Brown's hugely influential career into striking perspective, helping to complete his critical renaissance, and the ...
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Gettin' to It
(1994)
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by
Christian McBride
McBride had already made his name as an astounding bass sideman when he recorded his first album as a leader, which nailed him as another in the long line of mainstream-minded Young Lions. McBride would shed that tag within a few years when he brought forth his other interests, but for now he headed a series of three- to six-piece bands ...
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The Best of King Curtis [Capitol #1]
(1962)
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King Curtis
Best of King Curtis collects the bulk of King Curtis' singles for Capitol, plus selected album tracks. Although he didn't have many hits while on Capitol -- only "Soul Serenade" hit the charts -- this collection demonstrates the depths of Curtis' talents, showcasing his stabs at jazz and blues in addition to his trademark R&B. Instant Soul remains ...
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Pure Jazz [Polygram]
(2001)
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by
Various Artists
Though it's part of the Pure series, Verve's Pure Jazz almost seems more as part of the Ken Burns Jazz multi-disc series, especially since it was released during that documentary's airing on PBS. Any of the tie-in discs to Ken Burns Jazz were designed to give an overview, either of an artist or an entire jazz style, while Pure Jazz is designed to ...
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Louie Louie: The Very Best of The Kingsmen
(1999)
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by
The Kingsmen
When the Kingsmen's ragged, stumbling and accidentally brilliant version of Richard Berry's "Louie Louie" broke out as a national hit in 1964, it created a three-chord stomping template for garage and frat bands everywhere, and the Kingsmen themselves never abandoned the organ-driven R&B approach that spawned the song, working the formula into ...
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Swinging Sounds of Great Bands
(1999)
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by
Glen Gray And Casa Loma Orchestra
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Ultra-Lounge, Vol. 4: Bachelor Pad Royale
(1996)
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by
Various Artists
As the title implies, the songs on this 18-song compilation were intended for bachelors who wanted to create a suitably suave atmosphere between the mid-'50s and mid-'60s. So although the music draws from jazz (both big band and cool), lounge pop, and film/TV soundtracks, it's primarily designed to set a mood or background. That means that when it ...
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Uniquely Mancini
(1963)
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by
Henry Mancini
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Night Train
(195?)
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by
Buddy Morrow Orchestra
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The Wildest! [Expanded]
(2002)
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by
Louis Prima
A veritable greatest-hits album, The Wildest! is the gem of Louis Prima's catalogue. None of his other efforts transcend its raunchy mix of demented gibberish, blaring sax, and explosive swing, which rocked as hard as anything released at the time. Almost all of Prima's signature songs are found here: "Just a Gigolo/I Ain't Got Nobody," "Oh Marie, ...
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Live
(1992)
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by
Boots Randolph
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The Jazz Singer
(1959)
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by
Eddie Jefferson
Eddie Jefferson, one of the great jazz singers and an important pioneer of vocalese, is heard in peak form on this Evidence CD which reissues an Inner City LP and adds six previously unissued selections to the program. The bulk of the music is from 1959-61 with Jefferson backed by several horns (including trumpeter Howard McGhee and tenor ...
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Mary Jo
(1998)
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by
The Four Blazes
Considering the nostalgic significance now given to even the most obscure R&B acts of the '40s and '50s, it's surprising that the Four Blazes remain virtually unknown to modern listeners. Suave, danceable, and impeccably played, many of the songs on Mary Jo are on par with the best records of the day, and the stunning sound quality belies their ...
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Honkers & Bar Walkers, Vol. 1
(1992)
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by
Various Artists
This CD serves as a strong introduction to the tenor sax- (and occasional alto-) oriented R&B music of the early 1950s. It includes a few major hits (most notably Jimmy Forrest's "Night Train" and Tab Smith's ballad feature "Because of You") and six previously unissued alternate takes. Also heard from are Teddy Brannon, Cozy Eggleston, the ...
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Tequila: The Very Best of the Champs [Collectables]
(1998)
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by
The Champs
When it comes down to it, all of the Champs' compilations are essentially interchangeable -- a few tracks may differ, but all of the big songs (namely, "Tequila" and a handful of its spin-offs) are on each disc. And they're almost always called The Best of the Champs: Tequila, Tequila: The Very Best of the Champs, Let's Have Some Tequila!, Tequila ...
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The Blues and the Beat
(1995)
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by
Henry Mancini
With The Blues and the Beat, Henry Mancini delivered one of his bluesiest, jazziest records. Though it isn't an entirely successful experiment, but it has its share of delightful moments, as proved by "Mood Indigo" and "Sing, Sing, Sing." Mancini could never deliver straight jazz, but his easy, orchestrated approximations are enjoyable as their ...
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20th Century Masters - The Millennium Collection: The Best of James Brown
(1999)
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by
James Brown
On the almost 37-minute The Millennium Collection: The Best of James Brown, versions of "I Got You (I Feel Good" and "It's a Man's Man's Man's World" show up in their most popular versions rather than the more R&B/blues-based ones that were unearthed in the '80s. In a surprise move, Brown's classic "Cold Sweat, Pts. 1 & 2" is unedited and gives a ...
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I Got You (I Feel Good)
(1966)
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by
James Brown
At the start of 1966, James Brown was at his peak as a crossover star, having hit the pop Top Ten twice in a row in the last six months, first with "Papa's Got a Brand New Bag," and then with his biggest-ever pop success, "I Got You (I Feel Good)." But Brown was a singles artist almost exclusively; for him, LPs simply constituted a different ...
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Teensville
(1960)
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by
Chet Atkins
As the title indicates, Teensville is Chet Atkins' attempt to cut a record that appealed to the teenage audience weaned on rock & roll. Though he records a fair amount of rock, rockabilly, R&B, and country songs -- and the Everly Brothers, who he produced, wrote the line notes -- he never captures the raw spark of rock & roll. What shines through ...
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Live at the Apollo [1963]
(1963)
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by
James Brown
An astonishing record of James and the Flames tearing the roof off the sucker at the mecca of R&B theatres, New York's Apollo. When King Records owner Syd Nathan refused to fund the recording, thinking it commercial folly, Brown single-mindedly proceeded anyway, paying for it out of his own pocket. He had been out on the road night after night for ...
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